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Remembering Donald Hall, first thoughts

(Given the Tanglewood aspect of this, I’m re-posting it from my personal blog daveread.me)

June 26, 2018 – When the email announcing Donald Hall’s death arrived Sunday morning, I was drafting a letter to him, which would include a blank bookplate for him to sign, for my pre-ordered copy of A Carnival of Losses; Notes Nearing Ninety, which the publisher may be rushing to bookstores now.

In a letter dated 1 November 2016, he wrote, in response to my comment about an essay from the book published on the New Yorker’s website:

“Yup, Double Solitude is in the new book. Last week I sent it to my agent and my editor. I haven’t heard yet. I like the title: “I-89,” with the subtitle Flashparagraphs Speeding Toward Ninety.”

At the time, I suppressed the notion that publication may be dragged out in order to capitalize on his death, which this Giant of Poetry had been working against at least since first being diagnosed with cancer in 1989.

My acquaintance with him began in 2012, thanks to the power of another essay published in the New Yorker, Out the Window, from his book Essays After Eighty. I recommended it to a friend, who read it then told me she had taken one of his classes at U. of Michigan in the 1960s. I suggested she send him a note, which she did; he responded right away saying “You probably want to take me to dinner.”

She told him that I was part of the bargain, arrangements were made, and in June 2012 I enjoyed the first of three visits with Donald Hall at Eagle Pond Farm, followed by dinner at restaurants in the vicinity of Wilmot, NH.

Donald Hall at UNH, Nov. 9, 2017; photo courtesy David J. Murray
Donald Hall at UNH, Nov. 9, 2017; photo courtesy David J. Murray, ClearEyePhoto.com

We met last in November, at the University of New Hampshire, which held a celebration thanking him for the donation of his papers – comprising 600 cubic feet. He read from his work and also delivered something of a valedictory lecture, advising us of where the best poetry in English may be found.

That event triggered a couple more items that I would be enclosing in the never-to-be-finished note. Donald Hall said something along the lines of that the best poems ever written in English date from the 17th and 18th centuries. I wanted to ask him to list a dozen or so, thinking that I may study them – and maybe even have a go at “translating” them.

When I looked for a transcript of his remarks on the UNH website, I found instead mention that access to his papers would be by his permission, I thought I’d better hurry and get that note in the mail.

Don was a guest on the June 2008 broadcast of A Prairie Home Companion, with Garrison Keillor, at Tanglewood, which I reviewed for BerkshireLinks. That gave me an opening four years later when we met. Telling Don that I had been to that show, I referred to the host as simply “Garrison.” Whereupon Don stopped me in my tracks – “Garrison? He’s always been Mr. Keillor to me.”

A year or so later, after I had read Essays After Eighty, I sent him a note inviting him to visit the Berkshires, perhaps during Tanglewood season. Here’s an excerpt from his reply:

“I wish I could come down your way. [My friend] went down not long ago to look over the old Wharton place. I can’t drive any more, I can hardly walk, and needless to say I can’t fuck. I feel fine as you will discover reading the essays – but I cannot come to Tanglewood with the bachelor Norwegian farmer. He wrote me a dear and hilarious response to my Essays. Thank you and love, Don”

Why, you’re welcome Don, may you rest in peace.

Remembering Donald Hall, first thoughts

June 26, 2018 – When the email announcing Donald Hall’s death arrived Sunday morning, I was drafting a letter to him, which would include a blank bookplate for him to sign, for my pre-ordered copy of A Carnival of Losses; Notes Nearing Ninety, which the publisher may be rushing to bookstores now.

In a letter dated 1 November 2016, he wrote, in response to my comment about an essay from the book published on the New Yorker’s website:

“Yup, Double Solitude is in the new book. Last week I sent it to my agent and my editor. I haven’t heard yet. I like the title: “I-89,” with the subtitle Flashparagraphs Speeding Toward Ninety.”

Donald Hall at UNH, Nov. 9, 2017; photo courtesy David J. Murray
Donald Hall at UNH, Nov. 9, 2017; photo courtesy David J. Murray, ClearEyePhoto.com

At the time, I suppressed the notion that publication may be dragged out in order to capitalize on his death, which this Giant of Poetry had been working against at least since first being diagnosed with cancer in 1989.

My acquaintance with him began in 2012, thanks to the power of another essay published in the New Yorker, Out the Window, from his book Essays After Eighty. I recommended it to a friend, who read it then told me she had taken one of his classes at U. of Michigan in the 1960s. I suggested she send him a note, which she did; he responded right away saying “You probably want to take me to dinner.”

She told him that I was part of the bargain, arrangements were made, and in June 2012 I enjoyed the first of three visits with Donald Hall at Eagle Pond Farm, followed by dinner at restaurants in the vicinity of Wilmot, NH.

Donald Hall and Dave Read at UNH, Nov. 9, 2017; photo courtesy David J. Murray, ClearEyePhoto.com
Donald Hall and Dave Read at UNH, Nov. 9, 2017; photo courtesy David J. Murray, ClearEyePhoto.com

We last met in November, at the University of New Hampshire, which held a celebration thanking him for the donation of his papers – comprising 600 cubic feet. He read from his work and also delivered something of a valedictory lecture, advising us of where the best poetry in English may be found.

That event triggered a couple more items that I would be enclosing in the never-to-be-finished note. Donald Hall said something along the lines of that the best poems ever written in English date from the 17th and 18th centuries. I wanted to ask him to list a dozen or so, thinking that I may study them – and maybe even have a go at “translating” them.

When I looked on the UNH website for a transcript of his remarks, I found instead mention that access to his papers would be by his permission, I thought I’d better hurry and get that note in the mail.

Don was a guest on the June 2008 broadcast of A Prairie Home Companion, with Garrison Keillor, at Tanglewood, which I reviewed for BerkshireLinks. That gave me an opening four years later when we met. Telling Don that I had been to that show, I referred to the host as simply “Garrison.” Whereupon Don stopped me in my tracks – “Garrison? He’s always been Mr. Keillor to me.”

A year or so later, after I had read Essays After Eighty, I sent him a note inviting him to visit the Berkshires, perhaps during Tanglewood season. Here’s an excerpt from his reply:

“I wish I could come down your way. [My friend] went down not long ago to look over the old Wharton place. I can’t drive any more, I can hardly walk, and needless to say I can’t fuck. I feel fine as you will discover reading the essays – but I cannot come to Tanglewood with the bachelor Norwegian farmer. He wrote me a dear and hilarious response to my Essays. Thank you and love, Don”

Why, you’re welcome Don, may you rest in peace.

Schadenfreude sucks

Dave Conlin ReadSchadenfreude sucks – but the tempest surrounding the chump with the tallow-toned dome, which is im-fucking-possible not to write about, has resulted in getting a poem published; to wit, Indolent Books accepted The Outer Borough Colonel, Old Bone Spur as their Feb. 12, 2018 entry in the What Rough Beast series.

The Outer Borough Colonel, Old Bone Spur

Having ordered a parade of his own,
Trump is transformed
from Putin’s Puppet,
to Kim’s Clone.

Now, we wonder …

Will he ask bids
for a new pyramid,
or coldly evict, then
re-brand Grant’s Tomb?

He spoils even schadenfreude

I’ll post this ditty here, even though that’ll render it untouchable by most other publications.

#RhymesWithChump

He spoils even schadenfreude,
the balm we measure in scant small doses.
His corrupt domain makes it gush from fire hoses.

an ostrich plume in my tattered beret

That breaks a two year streak of “just missing the mark,” wherein some forty or fifty poems got returned to sender! I shall accept this as an ostrich plume in my tattered beret, now, and stop whining about the dull process of threading the publication-needle.

Dave Read poetry submissions

Northeast Fiddlers’ Convention at Hancock Shaker Village

Article updated June 27, 2018 by Dave Read

The 1st Annual Northeast Fiddlers Convention convened on June 9, 2018 at Hancock Shaker Village, a co-production with Oldtone, amounting to the most apt pairing of venue and event, especially given the critical role played by music and movement in Shaker life. Dates for the 2nd annual have just been announced – Saturday & Sunday, June 8 & 9, 2019. (Details to follow)

Next year, we’ll assign the 2nd annual convention to someone who can distinguish the sound of a steel guitar and a dobro from fifty paces, and post some discussion about the music played during the event. Meantime, we’re delighted to announce the winners and to show you some pictures from this year’s event.

Prize winners from the Northeast Fiddlers’ Convention at Hancock Shaker Village

Fiddle
1) Ambrose Verdibella
2) Sarah Michel, Southhampton, MA
3) Patrick Peters, New Lebanon, NY

Guitar
1) G. Rockwell, Bridgeport, CT
2) Norman Plankey, Oxford, CT
3) Mat Cherkus, Collinsville, CT

Mandolin
1) John Benjamin, Brattleboro, VT
2) Ambrose Verdibello
3) Norman Plankey, Oxford, CT

Banjo
1) Maggie Shar, Easthampton, MA
2) G Rockwell, Bridgeport, CT
3) Andy Lundeen, Cornwall Bridge, CT

Old-time music in the Berkshires?

From the organizers:Oldtone and Hancock Shaker Village aspire to create a beacon in the Berkshires for Old-time enthusiasts. The first-ever Northeast Fiddlers’ Convention is inspired by the great Southern Old-time music conventions. Participants are invited to jam, learn, compete, eat, dance and celebrate together in an atmosphere of participation. We envision a new annual tradition in the preservation of the rich Old-Time music culture in the Northeast.

This year’s convention features instrument and historical workshops by Bill & the Belles, Nils Fredland, and Tara Linhardt. We are offering picking & singing in the historic round stone barn, instrument contests, jamming, and a square dance with live music from Bill and the Belles, one of the most popular roots bands on the scene today. The Square Dance will be called by renown caller and the Artistic Director of Revels North; Nils Fredland. Historic demonstrations available all day from Hancock Shaker Village.

Hotels in the Berkshires

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

2018 Tanglewood schedule

The 2018 Tanglewood schedulefeatures a season-long celebration of the centennial of Leonard’s Bernstein’s birth, culminating in the Aug. 25 Bernstein Centennial Celebration hosted by Audra McDonald, with Maestro Andris Nelsons, four guest conductors and soloists Yo-Yo Ma, Midori, and others.

My Life Online

The Internet came about at a time when I was trying to develop a column for the Berkshire Eagle, unaware that the local paper, once respected and beloved, had already peaked and would soon become the disreputable, widely hated property of a media conglomerate based in Denver, CO.

When I began discussing my ideas for a column with them in 1995, the paper had a hierarchy of editors, so that I was sent from managing editor, to editorial page editor and finally to the editor of the op-ed page, where two articles were printed early in 1996.

By the time of my final meeting at the Eagle, they were down to one editor who’s response to my latest effort was “Why should I pay you $45 for one column when I can get three William Safire’s for $8?” (I guess that was a reference to the paper’s subscription fee to an editorial features syndicate.)

Why indeed, I thought. The economics of it already was a joke from my perspective, because by the time a piece was in the paper, I had spent thirty or forty hours writing and rewriting. But I was in it for literary glory, drawn to the Muse, not Mammon, which made me a sucker for the then-emerging World Wide Web and its’ promise to writers that they could become their own publisher!

My introduction to publishing online was in the company of people who were on the same side of the Muse v. Mammon divide as my previous publishing benefactors, inspiring in me a binge worthy of the most disillusioned ink-stained wretch. But by February of 1997, I’d taken the cure, registered my own domain name, and set about to become the witty chronicler of our time that I knew the Muse wanted me to become.

What a joke that was! In those days, it would take all day just to cobble together enough hypertext markup language (HTML) to create a “page” and then figure out the intricacies of file-transfer protocol (FTP) so that it was indeed online, which only meant that approximately 0.02 % of your friends and neighbors may be able to feast on your delicious prose!

Somehow, I was able to tap into a reservoir of stick-to-itiveness and by the dawn of the new millennium, my initial online property, NewBerkshire.com was good enough to merit press credentials from cultural organizations throughout the Berkshires. It’s early legitimacy was due largely to the work of Frances Benn Hall, who mastered the computer and email in order to send us reviews of practically every play produced in the area until her death, at age 96, in 2014. Franny Hall’s reviews were so timely and well-regarded that they would be referenced in the various theatre festivals’ paid advertising and marketing efforts.

Q magazine's Maximum Bob cover.
Q magazine’s Maximum Bob cover.

My own “feather-in-the-cap’ moment resulted from an article I’d written about Bob Dylan bringing his Rolling Thunder Revue to the Berkshires in Oct. 1975 for an all-day party at Mama Frasca’s Dream Away Lodge in Becket. My article was excerpted in “Maximum Bob” a single-issue collector’s edition published October 2000 in England by Q Magazine. It also helped me land all-access credentials for the 2002 Newport Folk Festival, which was the toughest ticket of the year because it was Dylan’s first appearance since upsetting the apple cart there with an electric guitar in 1965.

Today, the editorial we refers only to me, and NewBerkshire.com has been succeeded by BerkshireLinks.com, where I publish reviews from Tanglewood on a website that otherwise serves as a little almanac of the Berkshires, along with Google ads and an embedded lodging tool. None of the greedy people who dominated the local internet scene when I got started are around anymore. Fortunes have been made and squandered.

The last editor I dealt with at the Berkshire Eagle in the 1990s exhibited behavior worthy of a degree in ethics from Trump University. Ownership now extends no farther west than Buffalo, which didn’t make them any wiser on the management of Pittsfield’s prized cultural assets last fall than the previous regime had been about management of the Housatonic River.

During its long reign in Pittsfield, GE had converted the river into a corporate asset that allowed them to undercut their competition by dumping untreated PCBs. Since leaving town some years ago, GE continues to manage its assets by way of 1Berkshire, who’s deceptive founding was soon uncovered, but found acceptable by Mammon’s local adherents, who prefer their lies to be left unsettled, like PCBs in the riverbed.

To be continued…

Around the Loop, Oswego NY

Photos taken Oct. 1, 2017 by Dave Conlin Read, out “around the loop” in Oswego NY.

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