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James Taylor and Band at Tanglewood, July 4, 2001, with special guest Yo Yo Ma

July 4, 2001 performance reviewed by Dave Conlin Read

James Taylor’s Fourth of July concert at Tanglewood was one of those events that remind us why the Berkshires is such a great place to live.

From the moment he loped – almost boogied – onstage, until the final note of the fourth encore dissolved, it was clear that JT was really charged up.

“It’s great to be home for Independence Day – there’s no place like Tanglewood. This is great.” In fact, Tanglewood is home for the current tour, which was rehearsed during May at Ozawa Hall.

That alone would be enough to make this gig stand out from the rest, but there was an additional dash of Berkshire spice; as Taylor himself put it, “our own” Yo Yo Ma.

The stellar cellist sat in on Another Day in the second set and then returned to accompany Taylor to close the show with a memorable rendition of Sweet Baby James. Now that’s a treat, pure and simple. (Cellist Owen Young played the previous night and earlier on this tour)

As delighted as the audience was, Mr. Ma looked even more so; seated on Taylor’s left, he peered up at him, with an ear-to-ear grin, slowly shaking his head as if to say, “I can’t believe how lucky I am.”

There was a visual aspect to the show that was a delightful complement to the aural fix: rough-hewn logs and latticework made it look like the band were playing in a great big mountain lodge, and there was a stunning assortment of images projected on a huge screen behind the set.

This concert was crafted deftly; covering Taylor’s 3 decade career and introducing a trio of songs from his upcoming album, the splendid ensemble of eleven musicians moved through a variety of styles, including bossa nova, rhythm ‘n blues and mariachi.

The timbre of Taylor’s voice has never been so clear and sonorous. He un-slung his guitar for a couple numbers, including Sun on the Moon, wherein he got into some funky aerobics while trading lyric licks with his quartet of vocalists.

It was a wonderful event, a pop/folk/rock ‘n roll gig served up in some kind of special sauce; the ingredients may be familiar, but the flavor of this show was unforgettable.

The band: Clifford Carter (keyboards), Jimmy Johnson (bass), Russ Kunkel (percussion), Luis Conte (percussion), Bob Mann (guitar), Walt Fowler (trumpet, flugel horn), and Lou Marini (saxophone, flute). Singers: Arnold McCuller, David Lasley, Valerie Carter, and Kate Markowitz.

A Prairie Home Companion at Tanglewood, July 2, 2000

July 2, 2000 Tanglewood concert review by Dave Read

The 2000 Tanglewood season got underway Saturday with the live broadcast of A Prairie Home Companion with Garrison Keillor and special guests Emanuel Ax, Norumbega Harmony, and the Berkshire Highlanders. It was a pretty good show, mostly – except for the parts that were brilliant.

It seems silly to use superlatives to describe a show that had as casual and relaxed a feel to it as this one did, but Keillor used some himself when he introduced Tanglewood and the Berkshires to his vast radio audience, so it’s OK for us to wax laudatory.

The selection of special guests was perfect and they all gave great performances. The show’s regulars, The Guy’s All-Star Shoe Band, piano player Richard Dworsky, Tim Russell, Sue Scott, and sound effects master Tom Keith, all turned in their usual excellent performances.

A few highlights:

  • Russell’s uncanny impersonation of President Clinton reciting Bob Dylan’s “Like A Rolling Stone” in response to Keillor’s query, “How does it feel to be leaving the White House?”
  • Keith’s oral fireworks display to the accompaniment of “Stars and Stripes Forever” played by Ax and Dworsky;
  • Keillor’s monologue, about one of the last of the dying breed of Norwegian bachelor farmers and his struggle to maintain his independence and dignity in the midst of a town full of Pumpkin Heads.

Berkshire Highlanders at Tanglewood

Berkshire Highlanders perform on the first broadcast of A Prairie Home Compabion at Tanglewood, July 2, 2000. photo: Dave Read.
Berkshire Highlanders perform on the first broadcast of A Prairie Home Compabion at Tanglewood, July 2, 2000. photo: Dave Read.
It was wonderful to see and hear The Berkshire Highlanders in the Shed. Their Greylock Tartan kilts are perfect representations of the subtly beautiful Berkshire hills, and their repertoire is unusually engaging, as indicated by the Shaker hymn, Simple Gifts they played on stage.

In addition to providing the show’s classical music interlude with “Estampes” by Claude Debussy, Emanuel Ax also made his acting debut, starring in an episode of the very funny radio drama, “Guy Noir: Radio Private Eye.” Ax was sharp in both roles.

Norumbega Harmony, one of New England’s largest and most active groups of Sacred Harp and shape-note singers, gave beautiful performances of the Shaker hymn “The Good Samaritan,” and a 19th centruy anthem, “Millennial Praise.”

Garrison Keillor’s Tanglewood connection

Garrison Keillor’s wife was a student at the Boston University Tanglewood Institute when she was sixteen, and their second date was at Tanglewood eight years ago, which he memorialized in a song that displayed his poetic acuity (e.g.: “I couldn’t see how a redneck’s gonna judge Seiji Qzawa.” Another bon mot was his rhyming admonition, “Music is a gift from God – please shut up, and at the end, applaud.”

Somehow it seems especially fitting that this Tanglewood season, which celebrates the 100th anniversary of the birth of Aaron Copland, the quintessential American composer, was opened with A Prairie Home Companion, which celebrates everything that’s pretty good about America.

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