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Dave Read

2011 Jacob’s Pillow schedule

Jacob’s Pillow schedule for the 2011 season of dance in the Berkshires opens with a Gala on June 18, featuring a world premiere performance by dancers of the Ballet Program of The School at Jacob’s Pillow of a dance created by Stanton Welch, the private opening of the new Annie Leibovitz dance photography exhibit that will run all season, plus presentation of the 2011 Jacob’s Pillow Dance Award.

More than 160 ticketed and free dance performances by companies from Argentina, Cuba, Canada, France, Germany, Norway, South Korea, Switzerland, and across the United States have been scheduled, highlighted by the U.S. debut of 3e Étage: Soloists and Dancers of the Paris Opera Ballet, the world premiere of Beauty by Jane Comfort, the U.S. debut of DanzAbierta, one of Cuba’s leading contemporary dance companies, exclusive joint engagements, one featuring Jodi Melnick and David Neumann and another with Kyle Abraham and Camille A. Brown, and anniversary celebrations of Trisha Brown Dance Company and Mark Morris Dance Group.

Jacob’s Pillow contact info:

  • Jacob’s Pillow Dance Festival
  • 358 George Carter Road
  • Becket, MA 01223
  • Phone: 413.243.9919
  • Fax:413.243.4744
  • Web: jacobspillow.org

The Leibovitz exhibit, which includes photographs of Suzanne Farrell, Darci Kistler, Mikhail Baryshnikov, Paul Taylor, Merce Cunningham, and David Parsons, will be open to the public throughout the Festival in the Blake’s Barn gallery, free of charge. One of the most widely-known portrait photographers, Annie Leibovitz has long been interested in capturing the human body, photographing dancers such as Suzanne Farrell, Darci Kistler, Mikhail Baryshnikov, Paul Taylor, Merce Cunningham, and David Parsons.

Jacob’s Pillow Season Opening Gala – Saturday, June 18

The 2011 Jacob’s Pillow Dance Award will be presented to a distinguished artist, to be announced at a later date. Dinner, dancing to live music, and silent and live auctions on the Pillow’s Great Lawn follow. The Season Opening Gala is a benefit event; funds raised support the artistic and educational programs of Jacob’s Pillow, a not-for-profit organization. For tickets and information call 413.243.9919 x126.

Ballet du Grand Théâtre de Genève – Ted Shawn Theatre

  • Wednesday, June 22 – Saturday, June 25, 8pm
  • Saturday, June 25 & Sunday, June 26, 2pm
  • Tickets $59.50-64.50. $10 Saturday/Sunday matinee youth tickets

Keigwin + Company – Doris Duke Theatre

  • Wednesday, June 22 – Saturday, June 25, 8:15pm
  • Saturday, June 25 & Sunday, June 26, 2:15pm
  • Tickets $34.50-37.50.

Carte Blanche – Ted Shawn Theatre

  • Wednesday, June 29 – Saturday, July 2, 8pm
  • Saturday, July 2 & Sunday, July 3, 2pm
  • Tickets $43.50-64.50.

Jane Comfort and Company – Doris Duke Theatre

  • Wednesday, June 29 – Saturday, July 2, 8:15pm
  • Saturday, July 2 & Sunday, July 3, 2:15pm
  • Tickets $34.50-37.50.

Tangueros del Sur – Ted Shawn Theatre

  • Wednesday, July 6 – Saturday, July 9, 8pm
  • Saturday, July 9 & Sunday, July 10, 2pm
  • Tickets $59.50-64.50. $10 Saturday/Sunday matinee youth tickets

Kidd Pivot Frankfurt RM – Doris Duke Theatre

  • Wednesday, July 6 – Saturday, July 9, 8:15pm
  • Saturday, July 9 & Sunday, July 10, 2:15pm
  • Tickets $34.50-37.50

Jacob’s Pillow Community Dance Day – Sunday, July 10, 10am-1pm

Jacob’s Pillow will again offer its community-wide “open house” event on the morning of July 10, aimed at encouraging participation in dance. Community Dance Day will include free performances; open dance classes and workshops especially suited for adults and teens in a variety of movement styles including Pilates, social dance, and more; a master class and meet and greet with Doris Duke Theatre artists Kidd Pivot Frankfurt RM; music; raffles; food and drink; and other attractions. All performances, classes, events, and workshops are free.

DanzAbierta – Ted Shawn Theatre

  • Wednesday, July 13 – Saturday, July 16, 8pm
  • Saturday, July 16 & Sunday, July 17, 2pm
  • Tickets $43.50-64.50

Louise Lecavalier – Doris Duke Theatre

  • Wednesday, July 13 – Saturday, July 16, 8:15pm
  • Tickets $23.50-37.50

Lar Lubovitch Dance Company – Ted Shawn Theatre

  • Wednesday, July 20 – Saturday, July 23, 8pm
  • Saturday, July 23 & Sunday, July 24, 2pm
  • Tickets $59.50-64.50. $10 Friday evening youth tickets

zoe | juniper – Doris Duke Theatre

  • Wednesday, July 20 – Saturday, July 24, 8:15pm
  • Saturday, July 23 & Sunday, July 24, 2:15pm
  • Tickets $23.50-37.50

LDP (Laboratory Dance Project) – Ted Shawn Theatre

  • Wednesday, July 27 – Saturday, July 30, 8pm
  • Saturday, July 30 & Sunday, July 31, 2pm
  • Tickets $43.50-64.50

Big Dance Theater – Doris Duke Theatre

  • Wednesday, July 27 – Saturday, July 30, 8:15pm
  • Saturday, July 30 & Sunday, July 31, 2:15pm
  • Tickets $23.50-37.50

3e Étage: Soloists and Dancers of the Paris Opera Ballet – Ted Shawn Theatre

  • Wednesday, August 3 – Saturday, August 7, 8pm
  • Saturday, August 6 & Sunday, August 7, 2pm
  • Tickets $59.50-64.50

Jonah Bokaer – Doris Duke Theatre

  • Wednesday, August 3 – Saturday, August 6, 8:15pm
  • Saturday, August 6 & Sunday, August 7, 2:15pm
  • Tickets $23.50-37.50
  • Trisha Brown Dance Company – Ted Shawn Theatre
  • Wednesday, August 10 – Saturday, August 13, 8pm
  • Saturday, August 13 – Sunday, August 14, 2pm
  • 40th Anniversary celebration
  • Tickets $59.50-64.50

Trisha Brown’s pioneering style is acclaimed as a cornerstone of modern dance. This 40th anniversary program celebrates the range of Brown’s invention and includes Set and Reset, a masterpiece of collaboration with fluid, geometric movement by Brown, set and costumes by famed visual artist Robert Rauschenberg, and music by Laurie Anderson.

Jodi Melnick and David Neumann/advanced beginner group – Doris Duke Theatre

  • Wednesday, August 10 – Saturday, August 13, 8:15pm
  • Saturday, August 13 & Sunday, August 14, 2:15pm
  • Pillow Commission -World Premiere – Live Music
  • Tickets $23.50-37.50

Bessie Award-winner Jodi Melnick performs Fanfare, a sophisticated dance of rhythm and gesture, set against a kaleidoscope of light and sculpture designed by visual artist Burt Barr. David Neumann and his company, advanced beginner group, perform works of signature wry humor and creativity, including Big Eater. The evening culminates in a world premiere duet commissioned by Jacob’s Pillow and choreographed and performed by Melnick and Neumann.

Aspen Santa Fe Ballet – Ted Shawn Theatre

  • Wednesday, August 17 – Saturday, August 20, 8pm
  • Saturday, August 20- Sunday, August 21, 2pm
  • Tickets $59.50-64.50

David Dorfman Dance – Doris Duke Theatre

  • Wednesday, August 17 – Saturday, August 20, 8:15pm
  • Saturday, August 20 & Sunday, August 21, 2:15pm
  • Tickets $34.50-37.50

A Jazz Happening – Sunday, August 21, 8pm

Benefit Event for The School at Jacob’s Pillow Directed by Chet Walker, A Jazz Happening includes original choreography by the Jazz/Musical Theatre Dance artist faculty and live music by an onstage jazz band. Proceeds benefit The School at Jacob’s Pillow. Tickets $100 (includes premium seating and reception with performers) and $75 (performance only).

Mark Morris Dance Group – Ted Shawn Theatre

  • Wednesday, August 24 – Saturday, August 27, 8pm
  • (Additional matinee)Thursday, August 25, Saturday, August 27 & Sunday, August 28, 2pm
  • 40th Anniversary celebration
  • Tickets $64.50-69.50

Program includes Resurrection, danced to Richard Rodgers’ Slaughter on 10th Avenue; Ten Suggestions; V, a work for fourteen dancers set to the music of Robert Schumann; and Dancing Honeymoon, performed to a medley of classic tunes from the 1920s and 30s. Musicians from the Tanglewood Music Center participate in a complete evening of dance and music.

Kyle and Camille – Doris Duke Theatre

  • Wednesday, August 24 – Saturday, August 27, 8:15pm
  • Saturday, August 27 & Sunday, August 28, 2:15pm
  • Tickets $34.50-37.50

Directions to Jacob’s Pillow

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Hancock Shaker Village gets $1 million grant

Hancock Shaker Village has been designated as a Sector Leader by the Kresge Foundation and awarded a grant of $1 million for its work in “thoughtful, exploratory process to reinvent their business models…” The grant recognizes Hancock Shaker Village’s work as a visionary organization pursuing transformational projects designed to shift its business model and to serve as a field-wide example of leadership.

“Kresge recognizes that many cultural organizations, while balancing their budgets still face critical capitalization issues that constrain their ability to fully achieve their mission,” said Alice Carle, program director of the foundation’s arts and culture program. “Appropriate levels of capitalization that allow an organization to grow or reinvent itself is standard in the for-profit sector, but has not routinely been considered best practice in the nonprofit sector. Kresge wishes to reverse this trend by supporting cultural organizations that have completed the thoughtful, exploratory process to reinvent their business models. We will make only one or two Sector Leader investments per year. Hancock Shaker Village is a shining example of such an institution and we are proud to help it move boldly into a sustainable future.”

“The Board and Staff are honored to have the Village designated as a Sector Leader. We are grateful to the Kresge Foundation for this national recognition and we look forward to sharing our experiences with the field,” said Ellen Spear, HSV President and CEO.

Over the past two years, HSV has begun implementing a comprehensive business plan that calls for the development of new and diverse sources of revenue and for capitalization that will build sufficient reserves to allow for the constant updating and reinvention that was the hallmark of the Shakers and that is also an attribute of the companies Jim Collins cites in his book, “Good to Great.”

HSV has been working on ‘product development’¾subtle and not-so subtle changes in its daily interpretation to include discussion of broad Shaker principles and to create new delivery techniques and new content knowledge in its staff around the themes of sustainability, land stewardship, innovation, use of renewable energy, the importance of local agricultural sources, reverence for a thing well made, and the importance of community. Visitors to the Village will begin to experience this new approach during the 2011 season.

HSV will use half of the Kresge grant to seed its Building Reserve Fund and half to research and launch promising new business initiatives. “We are taking steps to move away from the outmoded museum business model of dependence upon admission and gift shop revenue,” said Spear. “Instead, we are using our resources to address community needs while generating revenue from new, sustainable sources, such as with a new architecture curriculum for K-5 that is under development, and the new Master’s Degree program in Historic Preservation in partnership with the University of Massachusetts, Amherst.”

Spear said the Village will invest in its website to expand its service to the public and its revenue generation potential. In addition, it is considering several new business initiatives, including expansion of its licensing capabilities and food and agriculture-related enterprises. As new ventures take hold, HSV will seek other investors to help move initiatives to the next level. Along with the business initiatives, the Village will invest in national branding to build recognition and involvement in its new ventures.

The HSV Master Plan calls for undertaking major restoration work on the site’s 18 historic buildings over the next 20 years. The Building Reserve Fund will ensure that after the work is complete, there will be sufficient capital for ongoing maintenance. “Every time we do a major restoration project, we will put aside 10% of the cost of the project for building reserves for the future,” said Spear. “We would like to build the fund to $5 million.”

Hancock Shaker Village’s story has already been featured at several national conferences as a model for the field. At the 2010 conference of the American Association for State and Local History, a presentation was made to the field on the Village’s progress, as well as at this year’s Seminar for Historical Administration, held in Indianapolis. In 2011, HSV will present information at the American Association of Museums conference.

“Sharing information with our colleagues in the history field who are grappling with the same sustainability issues that we are is an important part of our public service. We learn so much through these exchanges and look forward to continuing our work as a sector leader with this support from the Kresge Foundation,” said Spear.

DuBois Center at Great Barrington

DuBois Center at Great Barrington

Article by Dave Read.

Gt. Barrington native W.E.B. DuBoisThe life and legacy of Great Barrington native W.E.B. DuBois (1868 – 1963), co-founder of the National Association for the Advancement of Colored People (NAACP), will be celebrated through events February 5 and 6, 2011 as the Du Bois Center holds its fifth anniversary weekend celebration.

February 5 at 3 p.m.: Concert : Trombonist Craig Harris performs “Souls Within the Veil” at Simon’s Rock’s Daniel Arts Center, 84 Alford Road, Great Barrington, Mass. The event will be hosted by Simon’s Rock professor Wesley Brown with an introduction by playwright Ed Bullins. Presentation of Du Bois Center Pioneer Awards to philanthropist Rachel Fletcher and maestro Maurice Peress. Reception to follow at the Du Bois Center.

February 6 at 11 a.m.: Film : “The Road to Freedom: The Vernon Johns Story,” starring James Earl Jones and Nicole Leach, at the Du Bois Center. This special showing hosted by Ms. Leach and co-executive producer Richard Rubinstein. $35 admission includes concert and film (Simon’s Rock community free). The events are co-sponsored by Bard College at Simon’s Rock.

DuBois Center at Great Barrington contact info.

  • The Du Bois Center at Great Barrington
  • 684 South Main Street,
  • Great Barrington, MA 01230
  • 413-644-9595
  • duboiscentergb.org

See also: W.E. B. Du Bois Center at the University of Massachusetts Amherst.

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Close Encounters With Music 2011 schedule

Mahaiwe Performing Arts Center, Gt. Barrington, Mass.The 2011 portion of Close Encounters With Music schedule includes three performances at the Mahaiwe Performing Arts Center in Gt. Barington and the season finale at Ozawa Hall on the Tanglewood campus in Lenox, Mass. CEWM programs are highlighted by the music of German romanticism, viola music of Dvoák and Mendelssohn; performance by The Avalon String Quartet, and a celebration of Latin music for the festive season closing event.

Close Encounters With Music schedule – Thus Spake German Romanticism

  • Saturday, March 12, at 6PM
  • Mahaiwe Performing Arts Center,
  • 14 Castle Street, Great Barrington, Mass.

This program includes songs by Mahler, chamber music by Strauss, and the world premiere of Four Noble Truths, composed by Jorge Martín. Opera star Jennifer Rivera makes her Close Encounters debut, with Walter Ponce, piano, and Yehuda Hanani, cello.

Close Encounters With Music schedule – Viola Quintets: Dvoák and Mendelssohn

  • Saturday, April 16, 6PM
  • Mahaiwe Performing Arts Center,
  • 14 Castle Street, Great Barrington, Mass.

Performers: Yehonatan Berick and Renee Jolles, violins; Toby Appel and Tony DeVroye, viola; Yehuda Hanani, cello.

Close Encounters With Music schedule – The Avalon String Quartet

  • Saturday, May 7, 6PM
  • Mahaiwe Performing Arts Center,
  • 14 Castle Street, Great Barrington, Mass.
  • The Avalon String Quartet performance will include works by Steve Reich, Osvaldo Golijov and Schubert. The program includes Reich’s Holocaust-themed Passing Trains, Golijov’s Tenebrae, and Schubert’s Death and the Maiden, an iconic chamber work that has inspired films by Roman Polanski and Woody Allen.

    Close Encounters With Music schedule – FIESTA! A Latin Splash of Music and Dance

    • Saturday, June 4, 6PM
    • Ozawa Hall, Tanglewood
    • Lenox, Mass.

    FIESTA! A Latin Splash of Music and Dance sizzles with the rhythms of Cuba, Argentina, Brazil, Mexico, and Spain in a most unusual and fun fusion evening. Stars from the chamber music and dance world share the stage: David Parsons’ choreography of Astor Piazzolla’s Grand Tango (commissioned by CEWM in 2001), and composer-in-residence Jorge Martín’s hypnotic Ropa Vieja (also a CEWM commission), along with works by Ginastera, Villa-Lobos, and Granados. Performers include Boston Pops favorite Michael Chertock, piano; Bill Schimmel, accordion; Arti Dixson, percussion; Yehuda Hanani, cello; and David Parsons Dance soloists.

    Tickets can be purchased online at www.cewm.org or call 1.800.843.0778.

    The Einstein Project at Berkshire Theatre Festival

    August 4, 2000 performance reviewed by Frances Benn Hall

    The Einstein Project would have delighted William Butler Yeats, who, a century ago, advocated a kind of total theatre uniting all the arts – voice, dance, text, and art (not to be confused with “scenery”). Yeats was inspired by the intense simplicity of the Japanese Noh theatre, and so it is interesting that Eric Hill, whose directorial hand is strongly present in this work, also looks often to Japan.

    Yeats never made it to Japan; having Ezra Pound as a secretary was as close as he got. Hill has, though, and The Einstein Project bears traces of his insights and study. This Berkshire Theatre Festival production is very much a collaboration of all the theatre’s arts. Co-written by Paul D. Andrea and Jon Klein, it is has been co-directed by Hill and Oliver Butler, with dance choreographed by Isadora Wolfe. Lighting by Melissa McLearn and sound by Jason A. Tratta provide all the setting the play needs.

    This is a play of many short scenes that flow effortlessly into each other. Place is suggested rather than defined, shifting from Germany to Switzerland to America; time is also fluid, beginning in l945 but cutting backwards and forwards. Characters live and die in the time warps.

    Central to all is Einstein, physicist and man, German and Jew. He leaves Germany for America where, still insisting he is a pacifist, he writes the famous letter to Roosevelt that unleashes the horrors of Hiroshima. The play probes his conscience, exposes its frailties, lays bear his cruelty and inability to act towards others with love and compassion. He “thrives on ice” and “never talks as a friend.”

    This man’s family, his country, are “outside”. He believes in “tracking the mind of God” but cannot look with pity into the human heart of his son. The play attempts to go beyond the stereotypical image of the scientific genius who at age 42 won the Nobel prize and give us the flawed and contradictory being that he was. In doing so it deals with scenes of shattering emotional intensity. The bomb of l945 destroyed all it touched and “only shadows were left behind.”

    The play opens with the bomb. An orderly spaced group of humans stand staring upwards; they gradually, slow motion retreat, pull inward, circle and become a huddled ball in the center of the stage to be flung distortedly outwards, upwards, grotesquely mangled in slow motion, finally to stagger or be carried from sight. It is nightmare and dream.

    The next scene has Einstein in Switzerland with his son Edward. They are in a boat, beautifully evoked by a stout rope and billowing white cloth flapped by two actors. In this scene Einstein’s unnecessary cruelty to the child is shattering as he tries to force him to understand a mathematical principal concerning the counting of his fingers.

    Baffling the child, he insists the answer must be eleven; the rebuked child in dismay holds up his two hands fighting for his own answer of ten. Lines from this scene will occur later with the child, grown to a young man of 20, is in a strait-jacket, totally mad and still groping for the answer. One cannot help but fault Einstein’s lack of compassion in his human relationships.

    Tommy Shrider gives a virtuoso performance as he delves into the character of the conflicted man that Einstein was. He reveals the dark underside of a man few people, perhaps Einstein himself, ever knew. As his son Edward, Amanda Byron, is especially moving. The scenes in which she appears are memorable.

    The tightly knit cast in this play move, at times in slow motion, though scene after scene-Einstein’s former German colleagues as prisoners of war in England disbelieving the bombing news on the radio; his daughter Clara, (hauntingly played by Jennifer Elder-Chace) picnicking and dying; his fellow-scientist Werner Heisenberg (James Barry) exhibiting the compassion and conscience that Einstein lacks.

    At times the scenes, strong in themselves, come too rapidly and one feels one has missed important clues. But then a tiny wordless scene, in which a Japanese woman pours tea, stabs the heart. This play would be more enlightening second time around. It is accessible, however. One delights in the unusual details of stage movement, in the fluidly shifting time and space that move to the tempos of the play’s essence. The plot line will be easier to follow if one arrives early and reads the program notes, especially those on chronology, which is deliberately shifted in this production.

    Our theatre is invigorated by many kinds of plays. This is one of them. Eric Hill’s presence in the Berkshires making such theatre available to us is a blessing not to be taken lightly.

    2011 Shakespeare and Co. schedule

    Shakespeare and Co. schedule for 2011, their 34th season of theatre in Lenox, Mass. In addition to the plays listed here, also available at Shakespeare and Co. will be the Bankside Festival on the Rose Footprint Theatre, Behind-the-Scenes Tours, Talks and Q&A’s and other special events that have yet to be announced.

    Shakespeare and Co. Founders’ Theatre schedule

    • As You Like It
    • By William Shakespeare
    • Directed by Artistic Director Tony Simotes
    • Featuring: Merritt Janson as Rosalind. Other cast members TBA.
    • June 24—September 4
    • Romeo and Juliet
    • By William Shakespeare
    • Directed by Daniela Varon
    • Featuring: Finn Wittrock as Romeo. Other cast members TBA
    • July 8—September 3
    • The Hound of the Baskervilles
    • By Steven Canny and John Nicholson
    • Directed by Tony Simotes
    • Featuring: Jonathan Croy, Josh Aaron McCabe and Ryan Winkles
    • July 21—September 4

    Shakespeare and Co. Elayne P. Bernstein Theatre schedule

    • Women of Will: The Complete Journey (Parts I-V)
    • Review of Women of Will – June 2, 2011
    • By Tina Packer
    • Directed by Eric Tucker
    • Featuring: Tina Packer and Nigel Gore
    • May 27— July 10
    • The Two Gentlemen of Verona
    • By William Shakespeare
    • Directed by Dennis Krausnick
    • Featuring: S&Co.’s Performance Intern Company
    • July 6 — September 3
    • The Memory of Water
    • By Shelagh Stephenson
    • Directed by Kevin G. Coleman
    • Featuring: Elizabeth Aspenlieder, Corinna May, Annette Miller, Kristin Wold and others TBA.
    • June 16—September 4
    • Red Hot Patriot: The Kick-Ass Wit of Molly Ivins
    • By Margaret Engel and Allison Engel
    • Directed by TBA
    • Featuring: Tina Packer
    • August 3—September 4

    Shakespeare & Company contact info.

    • 70 Kemble Street
    • Lenox, MA 01240
    • phone: 413-637-1199
    • fax: 413-637-4274
    • www.shakespeare.org
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