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Dave Read

Harry Connick, Jr. at Tanglewood June 23, 2018

Article updated June 25, 2018 by Dave Read

Harry Connick, Jr. transported the Tanglewood audience Saturday night from the high land overlooking Lake Mahkeenac to the Ninth Ward below Lake Pontchartrain by way of a concert/seminar of nearly two and a half hours that included a second-line parade through the Koussevitsky Music Shed.
Harry Connick, Jr. and band performing at Tanglewood June 23, 2018; Hilary Scott photo.

Is it a coincidence that America’s sole contribution to the world of art – jazz, encompassing the blues (or vice versa) has its origins in the capital of the slave trade, America’s original sin? Probably not, since the two are inextricably linked; my guess is that one is compensation for the other, as if the beauty and transcendent power of jazz is how the universe seeks atonement for the horrors of slavery.

James Booker, Harry Connick Jr.'s piano teacher.We Tanglewood patrons are likely to know as much about life in Latvia as we do about life in New Orleans; thanks to the musicianship and generosity of Mr. Connick and his band, we’ve gotten a taste of life in the Big Easy, without having to pay the dues required to make a living there. Perhaps most poignant tonight was Mr. Connick’s show-and-tell tribute to his childhood piano teacher James Booker, who got the gig thanks to the unconventional administration of justice by the District Attorney, Harry Connick, Sr.! After showing us how Booker taught him the rudiments of “stride” piano playing, he played a wistful Hear Me in the Harmony in tribute.

Other highlights from this show included solos and duets by Johnathan DuBose, Jr. on guitar, Arthur Lantin on drums, Lucien Barbain on trombone, and an amazing display of tap dancing by Mike Hawkins. Allen Touissaint‘s infectious Yes We Can Can was a party. An over-introduced Gospel segment preceded the band’s foray into the audience, for chorus after chorus of When the Saints Go Marching In, with umbrellas waving in genuine second-line fashion.

Wynton Marsalis and Louis Armstrong in the Berkshires

Harry Connick, Jr. spent a summer honing his classical chops here as a teenager, as did fellow New Orleanian Wynton Marsalis (Tanglewood Music Center Fellow 1979). Another denizen of the Crescent City, Louis Armstrong, held forth just down the road during Folk and Jazz Roundtables hosted by Stephanie and Phil Barber, which led to the brief but critically important Lenox School of Jazz – the first of its kind in the world.

[James Booker photo credit: By Lionel decoster – Own work, CC BY-SA 3.0, Link]

2018 Tanglewood schedule

The 2018 Tanglewood schedulefeatures a season-long celebration of the centennial of Leonard’s Bernstein’s birth, culminating in the Aug. 25 Bernstein Centennial Celebration hosted by Audra McDonald, with Maestro Andris Nelsons, four guest conductors and soloists Yo-Yo Ma, Midori, and others.

Hotels near Tanglewood

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Tanglewood tickets and box office information

Tickets for the 2018 Tanglewood season available through Tanglewood’s website, www.tanglewood.org, SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office at 301 Massachusetts Avenue, Boston MA.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds. This dynamic map of the Tanglewood grounds includes photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

Tanglewood schedule July 2018

Article posted Feb. 14, 2018 by Dave Read

The 2018 Tanglewood schedule features a season-long celebration of the centennial of the birth, in Lawrence, MA, of Leonard Bernstein, who became the protege of Serge Koussevitsky in 1940 as a member of the first class of what became the Tanglewood Music Center. Bernstein’s last performance was at Tanglewood in 1990, two months before his death.

Leonard Bernstein conducting the BSO in the above photo, by Walter Scott.

Tanglewood’s July 2018 schedule includes these Bernstein compositions:

  • July 5 – Variations on an Octatonic Scale, for flute and cello (1988-89)
  • July 7 – On the Town (1944)
  • July 9 – Opening Prayer (Benediction) (1986)
  • July 12 – Trouble in Tahiti (1951)
  • July 15 – Chichester Psalms (1965)
  • July 21 – alil, Nocturne for flute and orchestra (1981)
  • July 28 – West Side Story (1957)

TMC Brass – Winds, and Percussion Extravaganza

Sunday, July 1, 10:30 Seiji Ozawa Hall

String Quartet Marathon – The New Fromm Players

Sunday, July 1, 2:30 Seiji Ozawa Hall

TMC Vocal and Instrumental Fellows – An Evening of Bach Cantatas

Monday, July 2, 8:00 Seiji Ozawa Hall

Steve Miller Band, with Peter Frampton

Monday, July 2, 7:00 Koussevitsky Music Shed

James Taylor

Tuesday, July 3, 8:00 Koussevitsky Music Shed

James Taylor

Wednesday, July 4, 8:00 Koussevitsky Music Shed – Fireworks to follow

Boston Symphony Chamber Players, Rudolf Buchbinder, piano

Thursday, July 5, 8 p.m. Seiji Ozawa Hall

  • MOZART Quintet in E-flat for piano and winds, K.452
  • WEINBERG Sonata for solo double bass, Op. 108
  • BERNSTEIN Variations on an Octatonic Scale, for flute and cello
  • SCHUMANN Piano Quintet in E-flat, Op. 44

Opening Night at Tanglewood – Boston Symphony Orchestra Andris Nelsons, conductor Lang Lang, piano

Friday, July 6, 8 p.m. Koussevitsky Music Shed

  • ALL-TCHAIKOVSKY PROGRAM
  • Piano Concerto No. 1,
  • Symphony No. 5

BERNSTEIN On the Town

Saturday, July 7, 8 p.m. Koussevitsky Music Shed

  • Boston Pops Orchestra – Keith Lockhart, conductor
  • Singers
  • Kathleen Marshall, director
  • David Chase, musical director

Andris Nelsons conducts Brahms and Shostakovich

Sunday, July 8, 2:30 p.m. Koussevitsky Music Shed

  • Boston Symphony Orchestra Andris Nelsons, conductor
  • Rudolf Buchbinder, piano
  • BRAHMS Piano Concerto No. 1
  • SHOSTAKOVICH Symphony No. 5

Tanglewood Music Center Orchestra Andris Nelsons, conductor

Monday, July 9, 8 p.m. Seiji Ozawa Hall

  • TMC Conducting Fellows
  • BERNSTEIN Opening Prayer (Benediction)
  • SMETANA Vyšehrad
  • DVOÁK Carnival Overture
  • STRAUSS Ein Heldenleben

Jeremy Denk, piano

Wednesday, July 11, 8 p.m. Seiji Ozawa Hall

  • PROKOFIEV Visions fugitives
  • BEETHOVEN Sonata No. 30 in E, Op. 109
  • BEETHOVEN (arr. LISZT) An die ferne Geliebte
  • SCHUMANN Fantasy in C, Op. 17

Bernstein’s Trouble In Tahiti

Thursday, July 12, 8 p.m. Seiji Ozawa Hall

  • Instrumental Ensemble
  • Charles Prince, conductor
  • Alexandra Silber, soprano
  • Shuler Hensley, baritone
  • Vocal Ensemble, Jamie Bernstein, directo

Boston Symphony Orchestra Moritz Gnann, conductor

Friday, July 13, 8 p.m. Koussevitsky Music Shed

  • Paul Lewis, piano
  • WAGNER Siegfried Idyll
  • MOZART Piano Concerto No. 27 in B-flat, K.595
  • SCHUMANN Symphony No. 3, Rhenish

Yoga on the Lawn at Tanglewood – July 14, 21, and 28

Once again this summer, in collaboration with the Kripalu Center for Yoga & Health, Tanglewood is pleased to offer hour-long yoga classes taught by fully accredited Kripalu teachers from 10:15-11:15am on Saturday mornings (weather permitting). Located on the lawn near the Tanglewood Visitor Center, these weekly classes are available at no additional charge to Saturday-morning BSO Rehearsal ticket holders on July 14, 21, and 28, and August 4, 11, 18, and 25.

Boston Symphony Orchestra Andris Nelsons, conductor

Saturday, July 14, 8 p.m. Koussevitsky Music Shed

  • Kristine Opolais, soprano (Mimì)
  • Piotr Becza?a, tenor (Rodolfo)
  • Susanna Phillips, soprano (Musetta)
  • Franco Vassallo, baritone (Marcello)
  • Davide Luciano, baritone (Schaunard)
  • Luca Pisaroni, bass-baritone (Colline)
  • Paul Plishka, bass (Benoît/Alcindoro)
  • Neal Ferreira, tenor (Parpignol)
  • David Cushing, bass (Customs Sergeant)
  • Tanglewood Festival Chorus, James Burton, conductor
  • Children’s Choir
  • PUCCINI La bohème
  • Semi-staged performance sung in Italian with English supertitles

Hotels near Tanglewood

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Boston Symphony Orchestra Andris Nelsons, conductor

Sunday, July 15, 2:30 p.m. Koussevitsky Music Shed

  • Yuja Wang, piano
  • Boy soprano
  • Tanglewood Festival Chorus, James Burton, conductor
  • MENDELSSOHN Symphony No. 4, Italian
  • BEETHOVEN Piano Concerto No. 1
  • BERNSTEIN Chichester Psalms

Tanglewood Music Center Orchestra Herbert Blomstedt, conductor

Monday, July 16, 8 p.m. Seiji Ozawa Hall

  • TMC Conducting Fellows
  • MOZART Symphony No. 35, Haffner
  • BEETHOVEN Leonore Overture No. 3
  • BRAHMS Symphony No. 4

Pamela Frank, violin Emanuel Ax, piano – ALL-MOZART PROGRAM

Wednesday, July 18, 8 p.m. Seiji Ozawa Hall

  • Violin Sonata No. 10 in B-flat, K.378
  • Violin Sonata No. 9 in F, K.377
  • Piano Sonata No. 15 in F, K.533
  • Violin Sonata No. 13 in B-flat, K.454

The Fleisher-Jacobsen Piano Duo

Thursday, July 19, 8 p.m. Seiji Ozawa Hall

  • Leon Fleisher, piano,
  • and Katherine Jacobsen, piano
  • J.S. BACH Capriccio in B-flat, BWV 992
  • J.S. BACH Chromatic Fantasy and Fugue in D minor, BWV 903
  • J.S. BACH (arr. BRAHMS) Chaconne in D minor for the left hand
  • KIRCHNER L.H.
  • BRAHMS Sixteen Waltzes, Op. 39, for piano four-hands
  • RAVEL La Valse, for piano four-hands
  • Celebrating Leon Fleisher’s 90th birthday

Boston Symphony Orchestra Herbert Blomstedt, conductor – ALL-MOZART PROGRAM

Friday, July 20, 8 p.m. Koussevitsky Music Shed

  • Emanuel Ax, piano
  • Piano Concerto No. 17 in G, K.453
  • Symphony No. 41, Jupiter
  • UnderScore Friday Concert

Tanglewood Date Night Packages Available July 20 and 27

Date Night packages are available on July 20 and 27, and August 3 and 17. The package includes a preconcert dinner for two at Highwood and two premium tickets in the Shed for $180, or two lawn tickets and two lawn chairs plus a pre-concert dinner at Highwood for $150. Both packages include a tour of the grounds. Purchase tickets >

Boston Symphony Orchestra Herbert Blomstedt, conductor

Saturday, July 21, 8 p.m. Koussevitsky Music Shed

  • Elizabeth Rowe, flute
  • Hannah Morrison, soprano
  • Elisabeth Kulman, mezzo-soprano
  • Nicholas Phan, tenor
  • Michael Nagy, baritone
  • Tanglewood Festival Chorus, James Burton, conductor
  • MOZART Symphony No. 34
  • BERNSTEIN Halil, Nocturne for flute and orchestra
  • HAYDN Missa in angustiis (Lord Nelson Mass)

Boston Symphony Orchestra Thomas Adès, conductor

Sunday, July 22, 2:30 p.m. Koussevitsky Music Shed

  • Christian Tetzlaff, violin
  • Thomas ADES Suite from Powder Her Face
  • SIBELIUS Violin Concerto
  • SIBELIUS Symphony No. 5

Tanglewood Music Center Orchestra Stefan Asbury, conductor

Monday, July 23, 8 p.m. Seiji Ozawa Hall

  • TMC Conducting Fellows
  • TMC Vocal Fellows
  • BERNSTEIN Facsimile, Choreographic Essay for Orchestra
  • Michael GANDOLFI New work for six voices and orchestra (world premiere; TMC commission)
  • COPLAND Symphony No. 3

Emerson String Quartet ALL-BEETHOVEN PROGRAM

Tuesday, July 24, 8 p.m. 8 p.m. Seiji Ozawa Hall

  • String Quartet No. 12 in E-flat, Op. 127
  • String Quartet No. 16 in F, Op. 135
  • String Quartet No. 14 in C-sharp minor, Op. 131

Emerson String Quartet ALL-BEETHOVEN PROGRAM

Wednesday, July 25, 8 p.m. Seiji Ozawa Hall

  • String Quartet No. 15 in A minor, Op. 132
  • String Quartet No. 13 in B-flat, Op. 130
  • Grosse Fuge in B-flat, Op. 133

2018 Festival of Contemporary Music, July 26-30

BSO Artistic Partner Thomas Adès, Director
Tanglewood’s 2018 Festival of Contemporary Music—the first of two with BSO Artistic Partner Thomas Adès as Festival Director—will feature chamber music programs for large and small ensembles, encompassing works by Gerald Barry, Harrison Birtwistle, Francisco Coll, Veronika Krausas, György Kurtág, Andrew Norman, Sean Shepherd, Conlon Nancarrow, and Per Nørgård, among other composers to be announced. The Festival will also include the world premiere of a newly commissioned work by English composer Oliver Christophe Leith for two voices and large chamber ensemble.

Boston Symphony Orchestra Juanjo Mena, conductor

Friday, July 27, 8 p.m. Koussevitsky Music Shed

  • Garrick Ohlsson, piano
  • BRITTEN Four Sea Interludes from Peter Grimes
  • MOZART Piano Concerto No. 9 in E-flat, K.271
  • BRAHMS Symphony No. 3

Boston Symphony Orchestra David Newman, conductor – BERNSTEIN West Side Story

Saturday, July 28, 8 p.m. Koussevitsky Music Shed

The Boston Symphony plays Leonard Bernstein’s electrifying score live, while the newly remastered film is shown on large screens in high definition with the original vocals and dialogue intact.

Boston Symphony Orchestra Juanjo Mena, conductor

Sunday, July 29, 2:30 p.m. Koussevitsky Music Shed

  • Gil Shaham, violin
  • HAYDN Symphony No. 88
  • PROKOFIEV Violin Concerto No. 1
  • MOZART Symphony No. 40

Tanglewood Music Center Orchestra Thomas Adès, conductor

Monday, July 30, 8 p.m. Seiji Ozawa Hall

  • TMC Conducting Fellows
  • Kirill Gerstein, piano
  • Poul RUDERS Thus Saw Saint John
  • Thomas ADÈS In Seven Days, for piano and orchestra
  • Gerald BARRY Of Queens’ Gardens
  • LUTOSLAWSKI Symphony No. 3

Hotels near Tanglewood

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Tanglewood tickets and box office information

Tickets for the 2018 Tanglewood season, $12-$160, are available through Tanglewood’s website, www.tanglewood.org, SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office at 301 Massachusetts Avenue, Boston MA. Download the 2018 Tanglewood season brochure.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds. This dynamic map of the Tanglewood grounds includes photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

Steven Stills and Judy Collins at Tanglewood June 17, 2018

Article updated June 20, 2018 by Dave Read

Tanglewood schedules present an embarrassment of riches, putting us at risk of fun-overload, which is as dangerous as second-helpings of pecan pie at Thanksgiving. Having covered Tanglewood since the Clinton Administration, we know enough to moderate, not overbook, and to look closely at the lineup so as to avoid regret.

Steven Stills and Judy Collins at Tanglewood June 17, 2018The Boston Symphony Orchestra has listed 15 concerts on the 2018 Popular Artist calendar before Maestro Andris Nelsons opens the BSO’s Tanglewood season on July 6. The first weekend included Roger Daltry and the Boston Pops performing The Who’s Tommy, followed by a show billed as David Crosby and Friends, and then Steven Stills and Judy Collins for Sunday afternoon.

Underwhelmed by last summer’s Pete Townsend/Boston Pops mashup, we eliminated this year’s Who remnant, leaving us to decide between factions of Crosby, Stills, and Nash. We chose the show scheduled for Sunday largely because Tanglewood is the most beautiful music venue in the world on a Sunday in June, but also because we figured Stills’ guitar chops will have aged better than Crosby’s front-man chops.

We were so right about the Sunday afternoon at Tanglewood aspect of our choice, but from what we hear, we missed a pretty exciting show Saturday night!

2018 Tanglewood schedule

The 2018 Tanglewood schedulefeatures a season-long celebration of the centennial of Leonard’s Bernstein’s birth, culminating in the Aug. 25 Bernstein Centennial Celebration hosted by Audra McDonald, with Maestro Andris Nelsons, four guest conductors and soloists Yo-Yo Ma, Midori, and others.

Hotels near Tanglewood

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Tanglewood tickets and box office information

Tickets for the 2018 Tanglewood season available through Tanglewood’s website, www.tanglewood.org, SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office at 301 Massachusetts Avenue, Boston MA.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds. This dynamic map of the Tanglewood grounds includes photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

Alison Krauss at Tanglewood June 19, 2018

Article updated June 20, 2018 by Dave Read

The original iteration of the Berkshires as a playground for the obscenely rich was during the last quarter of the 19th century, when it became an autumnal retreat for robber barons and other scallywags who’d grown bored of their Newport and Adirondack estates. In terms of man-made seasons, that was it – the Berkshires’ season was late summer/early fall. The Berkshires today, its essential natural resource polluted in perpetuity by G.E. (the corporate criminal kicked off the Dow Jones just this week), scrambles to make a go of things by converting the arts into a commodity.

One hopes this conversion is less harmful than GE’s conversion of the Housatonic River was. But one bit of harm is the spawning of the awkward phrase “shoulder season.” It seems that where a segment of the local population that otherwise would’ve been engaged in corporate communications and other aspects of internal paper-pushing now toil in the obscenely oxymoronic “cultural economy.” As one who traffics in language, I cannot help but wonder if a segment of a shoulder season would be called a “clavical week?”

…on the shoulders of giants

That’s why metaphor is best left alone by people essentially talking business, because if we imagine Tanglewood as something with shoulders, then we see something hideously ugly – one shoulder comprised of fifteen concerts, the other only one. We know PCBs to be endocrine-disrupting, so we’ll have to find somebody else than GE to blame for this skeletal anomaly.

There’s no more beautiful venue in the world than Tanglewood, regardless the season – or metaphor. And speaking of beautiful, Alison Krauss, accompanied by remnats of Union Station and members of the Cox family, regaled a handsome audience on a quintessential June evening with a ninety minute show that amounted to a sampler of her stunning career.

2018 Tanglewood schedule

The 2018 Tanglewood schedulefeatures a season-long celebration of the centennial of Leonard’s Bernstein’s birth, culminating in the Aug. 25 Bernstein Centennial Celebration hosted by Audra McDonald, with Maestro Andris Nelsons, four guest conductors and soloists Yo-Yo Ma, Midori, and others.

Hotels near Tanglewood

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Tanglewood tickets and box office information

Tickets for the 2018 Tanglewood season available through Tanglewood’s website, www.tanglewood.org, SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office at 301 Massachusetts Avenue, Boston MA.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds. This dynamic map of the Tanglewood grounds includes photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

Northeast Fiddlers’ Convention at Hancock Shaker Village

Article updated June 27, 2018 by Dave Read

The 1st Annual Northeast Fiddlers Convention convened on June 9, 2018 at Hancock Shaker Village, a co-production with Oldtone, amounting to the most apt pairing of venue and event, especially given the critical role played by music and movement in Shaker life. Dates for the 2nd annual have just been announced – Saturday & Sunday, June 8 & 9, 2019. (Details to follow)

Next year, we’ll assign the 2nd annual convention to someone who can distinguish the sound of a steel guitar and a dobro from fifty paces, and post some discussion about the music played during the event. Meantime, we’re delighted to announce the winners and to show you some pictures from this year’s event.

Prize winners from the Northeast Fiddlers’ Convention at Hancock Shaker Village

Fiddle
1) Ambrose Verdibella
2) Sarah Michel, Southhampton, MA
3) Patrick Peters, New Lebanon, NY

Guitar
1) G. Rockwell, Bridgeport, CT
2) Norman Plankey, Oxford, CT
3) Mat Cherkus, Collinsville, CT

Mandolin
1) John Benjamin, Brattleboro, VT
2) Ambrose Verdibello
3) Norman Plankey, Oxford, CT

Banjo
1) Maggie Shar, Easthampton, MA
2) G Rockwell, Bridgeport, CT
3) Andy Lundeen, Cornwall Bridge, CT

Old-time music in the Berkshires?

From the organizers:Oldtone and Hancock Shaker Village aspire to create a beacon in the Berkshires for Old-time enthusiasts. The first-ever Northeast Fiddlers’ Convention is inspired by the great Southern Old-time music conventions. Participants are invited to jam, learn, compete, eat, dance and celebrate together in an atmosphere of participation. We envision a new annual tradition in the preservation of the rich Old-Time music culture in the Northeast.

This year’s convention features instrument and historical workshops by Bill & the Belles, Nils Fredland, and Tara Linhardt. We are offering picking & singing in the historic round stone barn, instrument contests, jamming, and a square dance with live music from Bill and the Belles, one of the most popular roots bands on the scene today. The Square Dance will be called by renown caller and the Artistic Director of Revels North; Nils Fredland. Historic demonstrations available all day from Hancock Shaker Village.

Hotels in the Berkshires

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

2018 Tanglewood schedule

The 2018 Tanglewood schedulefeatures a season-long celebration of the centennial of Leonard’s Bernstein’s birth, culminating in the Aug. 25 Bernstein Centennial Celebration hosted by Audra McDonald, with Maestro Andris Nelsons, four guest conductors and soloists Yo-Yo Ma, Midori, and others.

My Life Online

The Internet came about at a time when I was trying to develop a column for the Berkshire Eagle, unaware that the local paper, once respected and beloved, had already peaked and would soon become the disreputable, widely hated property of a media conglomerate based in Denver, CO.

When I began discussing my ideas for a column with them in 1995, the paper had a hierarchy of editors, so that I was sent from managing editor, to editorial page editor and finally to the editor of the op-ed page, where two articles were printed early in 1996.

By the time of my final meeting at the Eagle, they were down to one editor who’s response to my latest effort was “Why should I pay you $45 for one column when I can get three William Safire’s for $8?” (I guess that was a reference to the paper’s subscription fee to an editorial features syndicate.)

Why indeed, I thought. The economics of it already was a joke from my perspective, because by the time a piece was in the paper, I had spent thirty or forty hours writing and rewriting. But I was in it for literary glory, drawn to the Muse, not Mammon, which made me a sucker for the then-emerging World Wide Web and its’ promise to writers that they could become their own publisher!

My introduction to publishing online was in the company of people who were on the same side of the Muse v. Mammon divide as my previous publishing benefactors, inspiring in me a binge worthy of the most disillusioned ink-stained wretch. But by February of 1997, I’d taken the cure, registered my own domain name, and set about to become the witty chronicler of our time that I knew the Muse wanted me to become.

What a joke that was! In those days, it would take all day just to cobble together enough hypertext markup language (HTML) to create a “page” and then figure out the intricacies of file-transfer protocol (FTP) so that it was indeed online, which only meant that approximately 0.02 % of your friends and neighbors may be able to feast on your delicious prose!

Somehow, I was able to tap into a reservoir of stick-to-itiveness and by the dawn of the new millennium, my initial online property, NewBerkshire.com was good enough to merit press credentials from cultural organizations throughout the Berkshires. It’s early legitimacy was due largely to the work of Frances Benn Hall, who mastered the computer and email in order to send us reviews of practically every play produced in the area until her death, at age 96, in 2014. Franny Hall’s reviews were so timely and well-regarded that they would be referenced in the various theatre festivals’ paid advertising and marketing efforts.

Q magazine's Maximum Bob cover.
Q magazine’s Maximum Bob cover.

My own “feather-in-the-cap’ moment resulted from an article I’d written about Bob Dylan bringing his Rolling Thunder Revue to the Berkshires in Oct. 1975 for an all-day party at Mama Frasca’s Dream Away Lodge in Becket. My article was excerpted in “Maximum Bob” a single-issue collector’s edition published October 2000 in England by Q Magazine. It also helped me land all-access credentials for the 2002 Newport Folk Festival, which was the toughest ticket of the year because it was Dylan’s first appearance since upsetting the apple cart there with an electric guitar in 1965.

Today, the editorial we refers only to me, and NewBerkshire.com has been succeeded by BerkshireLinks.com, where I publish reviews from Tanglewood on a website that otherwise serves as a little almanac of the Berkshires, along with Google ads and an embedded lodging tool. None of the greedy people who dominated the local internet scene when I got started are around anymore. Fortunes have been made and squandered.

The last editor I dealt with at the Berkshire Eagle in the 1990s exhibited behavior worthy of a degree in ethics from Trump University. Ownership now extends no farther west than Buffalo, which didn’t make them any wiser on the management of Pittsfield’s prized cultural assets last fall than the previous regime had been about management of the Housatonic River.

During its long reign in Pittsfield, GE had converted the river into a corporate asset that allowed them to undercut their competition by dumping untreated PCBs. Since leaving town some years ago, GE continues to manage its assets by way of 1Berkshire, who’s deceptive founding was soon uncovered, but found acceptable by Mammon’s local adherents, who prefer their lies to be left unsettled, like PCBs in the riverbed.

To be continued…

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