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Dave Read

Tanglewood schedule July 2019

Article posted Dec. 13, 2018 by Dave Read

The Boston Symphony’s July 2019 schedule includes the July 20 world premier of The Brightness of Light, a BSO co-commission composed by Kevin Puts, based on the letters of Georgia O’Keeffe and Alfred Stieglitz. Written especially for Renée Fleming and Rod Gilfry, and accompanied by projections by Wendall Harrington, The Brightness of Light is the story of a great artist who ultimately turns from a painful marriage to embrace her work and the desert landscape she loves.

The July 7 program, Across the Stars: Music of John Williams, with violinist Anne-Sophie Mutter is the first of three this season celebrating the art of John Williams.

Beatles fans, especially, will delight in the Tuesday, July 16, 8 p.m. Ozawa Hall program because it includes Blackbird, Yesterday, and While My Guitar Gently Weeps, along with works by J. S. Bach, Villa-Lobos and others played on classical guitar.

Tanglewood on Parade has been moved from its usual first Tuesday in August slot to Tuesday, July 23 when Tanglewood Festival Chorus director James Burton’s The Lost Words will be premiered.

On Jukly 27 &28, Maestro Nelsons wraps up a full month at Tanglewood by leading the Tanglewood Music Center Orchestra in WAGNER Die Walküre, Acts I, II and III – concert performances sung in German with English supertitles.

Wednesday, July 3, 8 p.m. Shed
James Taylor & band
Thursday, July 4, 8 p.m. Shed
James Taylor & band, post-show fireworks.

Friday, July 5, 6 p.m. Ozawa Hall
Prelude Concert
Members of the Boston Symphony Orchestra

Friday, July 5, 8 p.m. Shed

Opening Night at Tanglewood

Boston Symphony Orchestra
Andris Nelsons, conductor
Emanuel Ax, piano
MOZART Piano Concerto No. 22 in E-flat, K.482
MAHLER Symphony No. 5

Saturday, July 6, 10:30 a.m. Shed
Rehearsal, Saturday program
Anne-Sophie Mutter and Andris Nelsons perform Dvorak's Violin Concerto with the BSO (Hilary Scott)

Saturday, July 6, 8 p.m. Shed
Boston Symphony Orchestra
Andris Nelsons, conductor
Anne-Sophie Mutter, violin
Joan TOWER Fanfare for the Uncommon Woman No. 1
André PREVIN Violin Concerto, Anne-Sophie*
DVO?ÁK Symphony No. 9, From the New World

*Celebrating André Previn’s 90th birthday

Sunday, July 7, 2:30 p.m. Shed
Boston Pops Orchestra
David Newman, conductor
Anne-Sophie Mutter, violin
Across the Stars: Music of John Williams
Join the Boston Pops for the first of three programs this summer, celebrating the art of John Williams. Drawing from her recent recording “Across the Stars,” the great violinist Anne-Sophie Mutter performs selections from Mr. Williams’ iconic scores, in brilliant new arrangements created especially for her. The program includes music from Star Wars and Memoirs of a Geisha, as well as the haunting melodies of Schindler’s List.

Monday, July 8, 8 p.m. Ozawa Hall
Tanglewood Music Center Orchestra
Andris Nelsons, conductor
Thomas Rolfs, trumpet
TMC Conducting Fellows
Program to include
TCHAIKOVSKY Hamlet, Overture-fantasy
Detlev GLANERT Concerto for Trumpet and Orchestra
(world premiere, TMC commission)
SHOSTAKOVICH Symphony No. 1

Wednesday, July 10, 8 p.m. Ozawa Hall
Hilary Hahn, violin
ALL-J.S. BACH PROGRAM
Sonata No. 2 in A minor for solo violin, BWV 1003
Partita No. 3 in E for solo violin, BWV 1006
Sonata No. 3 in C for solo violin, BWV 1005

^ Tanglewood debut
^^ Boston Symphony Orchestra debut
+ Tanglewood and Boston Symphony Orchestra debuts
** 2019 Koussevitzky Artist

Thursday, July 11, 8 p.m. Ozawa Hall
Venice Baroque Orchestra^
Andrea Marcon, conductor and harpsichord^
Avi Avital, mandolin
VIVALDI Sinfonia in C for strings and continuo,
from L’Olimpiade, RV 725
VIVALDI Concerto in D for lute, strings,
and continuo, RV 93
ALBINONI Concerto in G for strings and
continuo, Op. 7, No. 4
VIVALDI Concerto in G for mandolin, recorder, strings,
and continuo, RV 532
CORELLI Concerto grosso in D, Op. 6, No. 4
BARBELLA Concerto in D for mandolin, strings,
and continuo
VIVALDI Sinfonia in C for strings
and basso continuo, RV 114
VIVALDI Concerto in G minor, Op. 8, No. 2, Summer

Friday, July 12, 6 p.m. Ozawa Hall
Prelude Concert
Members of the Boston Symphony Orchestra

Friday, July 12, 8 p.m. Shed
Boston Symphony Orchestra
Andris Nelsons, conductor
Jan Lisiecki, piano^
Thomas Rolfs, trumpet
Robert Sheena, English horn
COPLAND Quiet City
GRIEG Piano Concerto
COPLAND Symphony No. 3

Saturday, July 13, 10:30 a.m. Shed
Rehearsal, Sunday program

Saturday, July 13, 8 p.m. Shed
Boston Symphony Orchestra
Andris Nelsons, conductor
Kristine Opolais, soprano
Oksana Volkova, mezzo-soprano+
Jonathan Tetelman, tenor
Ryan Speedo Green, bass-baritone
Tanglewood Festival Chorus, James Burton, conductor
VERDI Requiem

Sunday, July 14, 2:30 p.m. Shed
Boston Symphony Orchestra
Andris Nelsons, conductor
Håkan Hardenberger, trumpet
BEETHOVEN Symphony No. 4
HK GRUBER Aerial, Concerto for trumpet and orchestra
STRAUSS “Dance of the Seven Veils” from Salome

Monday, July 15, 8 p.m. Ozawa Hall
Tanglewood Music Center Orchestra
Stefan Asbury, conductor
TMC Conducting Fellows
Program to include
Helen GRIME New work (world premiere; TMC commission)
TCHAIKOVSKY Symphony No. 6, Pathétique

Tuesday, July 16, 8 p.m. Ozawa Hall
MILOŠ, classical guitar^
J.S. BACH Suite No. 2 in C minor, BWV 997
GRANADOS from 12 Spanish Dances:
No. 5, Andaluza
No. 2, Oriental
ALBÉNIZ Asturias
VILLA-LOBOS Five Preludes
LENNON/McCARTNEY (arr. Sergio Assad) Blackbird
LENNON/McCARTNEY (arr. Sergio Assad) Yesterday
HARRISON/LENNON/McCARTNEY (arr. Sergio Assad) While my guitar gently weeps
Mathias DUPLESSY Cavalcade

Wednesday, July 17, 8 p.m. Ozawa Hall
Gautier Capuçon, cello
Jean-Yves Thibaudet, piano
SCHUMANN Fantasiestücke, Op. 73
BRAHMS Cello Sonata No. 1 in E minor, Op. 38
SIBELIUS Malinconia, Op. 20
SHOSTAKOVICH Cello Sonata in D minor, Op. 40

Friday, July 19, 6 p.m. Ozawa Hall
Prelude Concert
Members of the Boston Symphony Orchestra
Friday, July 19, 8 p.m. Shed
Boston Symphony Orchestra
Andris Nelsons, conductor
Gautier Capuçon, cello
Betsy JOLAS A Little Summer Suite
SAINT-SAËNS Cello Concerto No. 1
DEBUSSY La Mer
RAVEL La Valse

UnderScore Friday Concert

Saturday, July 20, 10:30 a.m. Shed
Rehearsal, Sunday program

Saturday, July 20, 8 p.m. Shed
Boston Symphony Orchestra
Andris Nelsons, conductor
Renée Fleming, soprano**
Rod Gilfry, baritone+
Wendall Harrington, video artist
ELGAR Enigma Variations
Kevin PUTS The Brightness of Light (world premiere; BSO co-commission)

Sunday, July 21 2:30 p.m. Shed
Boston Symphony Orchestra
Andris Nelsons, conductor
Jean-Yves Thibaudet, piano
GERSHWIN Piano Concerto in F
GERSHWIN Variations on “I Got Rhythm,” for piano and orchestra
STRAVINSKY Petrushka

Tuesday, July 23, 8 p.m. Shed
Tanglewood on Parade
Boston Symphony Orchestra
Boston Pops Orchestra
Tanglewood Music Center Orchestra
Boston Symphony Children’s Choir
Andris Nelsons, Keith Lockhart, John Williams, Thomas Wilkins, and James Burton, conductors
Program to include
WAGNER “The Ride of the Valkyries” from Die Walküre
James BURTON The Lost Words, for children’s choir and orchestra (world premiere)
TCHAIKOVSKY 1812 Overture

Fireworks to follow the concert

Wednesday, July 24, 8 p.m. Ozawa Hall
Renée Fleming, soprano**
Emerson String Quartet
WALKER Lyric for Strings
Richard WERNICK String Quartet No. 10
BARBER String Quartet, Op. 11
André PREVIN and Tom STOPPARD Penelope, for soprano, string quartet, and piano (world premiere; BSO co-commission)*

*Celebrating Sir André Previn’s 90th birthday

Thursday, July 25, 8 p.m. Ozawa Hall
Stefan Jackiw, violin^
Jeremy Denk, piano
Hudson Shad, vocal quartet^
ALL-IVES PROGRAM
Violin Sonata No. 4, Children’s Day
Violin Sonata No. 3
Violin Sonata No. 2
Violin Sonata No. 1
Plus hymns, patriotic songs, and marches that inspired these sonatas

Friday, July 26, 6 p.m. Ozawa Hall
Prelude Concert
Members of the Boston Symphony Orchestra

Friday, July 26, 8 p.m. Shed
Boston Symphony Orchestra
Andris Nelsons, conductor
Paul Lewis, piano
Tanglewood Festival Chorus, James Burton, conductor
SHOSTAKOVICH Symphony No. 2
MOZART Piano Concerto No. 12 in A, K.414
RAVEL Daphnis et Chloé (complete)

Saturday, July 27, 10 a.m. Ozawa Hall
Boston Symphony Orchestra
Thomas Wilkins, conductor
BSO Family Concert

Saturday, July 27, 10:30 a.m. Shed
Rehearsal, Sunday program

Saturday, July 27, 8 p.m. Shed
The Leonard Bernstein Memorial Concert
Tanglewood Music Center Orchestra
Andris Nelsons, conductor
Amber Wagner, soprano (Sieglinde)
Simon O’Neill, tenor (Siegmund)^
Ain Anger, bass (Hunding)
WAGNER Die Walküre, Act I

Concert performance sung in German with English supertitles

Sunday, July 28, 2:30 p.m. (Act II) Shed
Sunday, July 28, 6:30 p.m. (Act III) Shed
Tanglewood Music Center Orchestra
Andris Nelsons, conductor
Amber Wagner, soprano (Sieglinde)
Christine Goerke, soprano (Brünnhilde)
Mezzo-soprano to be announced (Fricka)
Simon O’Neill, tenor (Siegmund)
James Rutherford, bass-baritone (Wotan)^
Ain Anger, bass (Hunding)
Eve Gigliotti^, Wendy Bryn Harmer^, Kelly Cae Hogan^, Ronnita Miller^, Mary Phillips, and Renée Tatum (Valkyries)
WAGNER Die Walküre, Acts II and III

Concert performance sung in German with English supertitles

Tuesday, July 30, 8 p.m. Ozawa Hall
Paul Lewis, piano
HAYDN Sonata No. 34 in E minor
BRAHMS Three Intermezzi, Op. 117
BEETHOVEN Seven Bagatelles, Op. 33
HAYDN Sonata No. 52 in E-flat

Wednesday, July 31, 8 p.m. Ozawa Hall
Thomas Hampson, baritone
Lara Downes, piano^
The Beyond Liberty Players^
Song of America: Beyond Liberty
Beloved American baritone Thomas Hampson opens the American Songbook to explore the influential people and monumental events that helped create and define “the land of the free.” Guiding the audience through centuries of stories, Mr. Hampson will share personal anecdotes and readings, offering a rich context within which to celebrate America’s history of song.

Tanglewood schedule August 2019

Article updated Dec. 14, 2018 by Dave Read

Highlighting the BSO’s August 2019 Tanglewood schedule is Yo-Yo Ma’s Aug. 11 program, J.S. BACH Suites for unaccompanied cello, which is part of his two-year global initiative, “The Bach Project.” Yet to be announced is the accompanying “days of action,” wherein Ma seeks “to put culture in action by bringing people and organizations together to address pressing social issues” and “invite all of us to think differently about the role of culture in society.”
Yo-Yo Ma at Tanglewood August 2019
Guest conductors performing with the Boston Symphony Orchestra and other ensembles at Tanglewood during August 2019 include: Antonio Pappano, Ken-David Masur, Asher Fisch, Dima Slobodeniouk, Leonidas Kavakos, Rafael Payare, Thomas Adès, François-Xavier Roth, Giancarlo Guerrero, Huichang Yan, Yu-An Chang; guest soloists include Joshua Bell, Pinchas Zukerman, Yefim Bronfman, Emanuel Ax, Yo-Yo Ma, Nikolai Lugansky, Inon Barnatan, Kirill Gerstein, Ingrid Fliter.

The 2019 Festival of Contemporary Music runs August 8-12; The Knights perform Thursday, August 15, 8 p.m. Ozawa Hall in a program conducted by Eric Jacobsen, with violinist Gil Shaham.

Thursday, August 1, 8 p.m. Ozawa Hall
National Youth Orchestra of the United States of America
Sir Antonio Pappano, conductor^
Joyce DiDonato, mezzo-soprano^
BERLIOZ Les Nuits d’été
STRAUSS An Alpine Symphony

Friday, August 2, 6 p.m. Ozawa Hall
Prelude Concert
Members of the Boston Symphony Orchestra

Friday, August 2, 8 p.m. Shed
The Serge and Olga Koussevitzky Memorial Concert
Boston Symphony Orchestra
Ken-David Masur, conductor
Joshua Bell, violin
MARTIN? Memorial to Lidice
DVO?ÁK Violin Concerto
DVO?ÁK Symphony No. 8

UnderScore Friday Concert

Saturday, August 3, 10:30 a.m. Shed
Rehearsal, Sunday program

Saturday, August 3, 8 p.m. Shed
Boston Symphony Orchestra
Asher Fisch, conductor
Pinchas Zukerman, violin
Amanda Forsyth, cello
SCHUMANN Overture to Genoveva
Avner DORMAN Double Concerto for violin, cello,
and orchestra (American premiere; BSO co-commission)
BEETHOVEN Romance No. 1 in G for violin and orchestra
MENDELSSOHN Symphony No. 3, Scottish

Sunday, August 4, 2:30 p.m. Shed
Boston Symphony Orchestra
Dima Slobodeniouk, conductor
Yefim Bronfman, piano
RACHMANINOFF Piano Concerto No. 3
SIBELIUS Symphony No. 1

Tuesday, August 6, 8 p.m. Ozawa Hall
Emanuel Ax, piano
Leonidas Kavakos, violin
Yo-Yo Ma, cello
ALL-BEETHOVEN PROGRAM
Selected trios for piano, violin, and cello

Wednesday, August 7, 8 p.m. Ozawa Hall
Yefim Bronfman, piano
ALL-BEETHOVEN PROGRAM
Sonata No. 5 in C minor, Op. 10, No. 1
Sonata No. 6 in F, Op. 10, No. 2
Sonata No. 7 in D, Op. 10, No. 3
Sonata No. 23 in F minor, Op. 57, Appassionata

Friday, August 9, 6 p.m. Ozawa Hall
Prelude Concert
Members of the Boston Symphony Orchestra

Friday, August 9, 8 p.m. Shed
Boston Symphony Orchestra
Leonidas Kavakos, conductor and violin
BEETHOVEN Violin Concerto
DVO?ÁK Symphony No. 7

UnderScore Friday Concert

Saturday, August 10, 10:30 a.m. Shed
Rehearsal, Sunday program

Saturday, August 10, 8 p.m. Shed
Boston Symphony Orchestra
Rafael Payare, conductor+
Nikolai Lugansky, piano
CARREÑO Margaritena
RACHMANINOFF Piano Concerto No. 1
BRAHMS Symphony No. 1

Sunday, August 11, 2:30 p.m. Shed
Boston Symphony Orchestra
Thomas Adès, conductor
Inon Barnatan, piano+
IVES Three Places in New England
BEETHOVEN Piano Concerto No. 4
BEETHOVEN Symphony No. 6, Pastoral

Sunday, August 11, 7:30 p.m. Shed
Yo-Yo Ma, cello
J.S. BACH Suites for unaccompanied cello
In this special Sunday-evening Shed concert, Yo-Yo Ma plays all six of J.S. Bach’s Suites for Solo Cello, music that has given him, in his own words, “sustenance, comfort, and joy during times of stress, celebration, and loss.”

2019 Festival of Contemporary Music, August 8-12

BSO Artistic Partner Thomas Adès, Director

Thursday, August 8, 8 p.m. Ozawa Hall
Opera
TMC Vocal Fellows
Richard AYRES The Cricket Recovers (American Premiere)

Friday, August 9, 2:30 p.m. Center for Music and Learning
Chamber Music
Erika FOX Hungarian Rhapsody (American premiere)
Andrew HAMILTON New work
(world premiere; TMC commission)
Hilda PAREDES Altazor (American premiere)

Saturday, August 10, 6:15 p.m. Center for Music and Learning
Prelude Concert
Poul RUDERS String Quartet No. 3 (American premiere)
SEEGER String Quartet
Chaya CZERNOWIN Anea Crystal

Sunday, August 11, 10 a.m. Ozawa Hall
Chamber Music
Andrew HAMILTON music for people who like art (American premiere)
Nathan SHIELDS New work (American premiere; TMC commission)
Steve REICH Radio Rewrite
Thea MUSGRAVE Space Play

Monday, August 12, 6 p.m. Ozawa Hall
Prelude Concert
Piano works of Oliver Knussen

Monday, August 12, 8 p.m. Ozawa Hall
Tanglewood Music Center Orchestra
Thomas Ades, conductor
TMC Conducting Fellows
TMC Vocal Fellows
Gerald BARRY Canada (American premiere)
Poul RUDERS Symphony No. 5 (American premiere)
KNUSSEN Whitman Settings
György KURTÁG …concertante…, Op. 42 (American premiere)

Tuesday, August 13, 8 p.m. Ozawa Hall
Leonidas Kavakos, violin
Emanuel Ax, piano
ALL-BEETHOVEN PROGRAM
Violin Sonata No. 4 in A minor, Op. 23
Violin Sonata No. 6 in A, Op. 30, No. 1
Violin Sonata No. 10 in G, Op. 96

Thursday, August 15, 8 p.m. Ozawa Hall
The Knights
Eric Jacobsen, conductor
Gil Shaham, violin
LIGETI Concert Românesc
BRAHMS Violin Concerto
György KURTÁG Signs, Games, and Messages
KODÁLY Dances of Galánta
BRAHMS (arr. Paul Brantley) Four Hungarian Dances

Friday, August 16, 6 p.m. Ozawa Hall
Prelude Concert
Members of the Boston Symphony Orchestra

Friday, August 16, 8 p.m. Shed
Boston Pops Orchestra
Keith Lockhart, conductor
Star Wars: A New Hope (film with live orchestra)
Join Keith Lockhart and the Boston Pops as they present this classic film with live orchestral accompaniment. Set 30 years after Star Wars: The Phantom Menace, Star Wars: A New Hope, the fourth episode of the saga, returns to the desert planet of Tatooine. A young Luke Skywalker (Mark Hamill) begins to discover his destiny when, searching for a lost droid, he is saved by reclusive Jedi Obi-Wan Kenobi (Alec Guinness). A civil war rages in the galaxy, and Rebel forces struggle against the evil Galactic Empire, Luke and Obi- Wan enlist the aid of hotshot pilot, Han Solo (Harrison Ford). Joined by the quirky droid duo R2-D2 and C-3PO, the unlikely team sets out to rescue Rebel leader Princess Leia (Carrie Fisher) and make use of the stolen plans to destroy the Empire’s ultimate weapon. In a legendary confrontation, the rogue group mounts an attack against the Death Star for a climactic battle with the evil Sith Lord Darth Vader.

Saturday, August 17, 10:30 a.m. Shed
Rehearsal, Sunday program

Saturday, August 17, 8 p.m. Shed
Boston Symphony Orchestra
François-Xavier Roth, conductor^
Kirill Gerstein, piano
BRAHMS Piano Concerto No. 2
SCHUMANN Symphony No. 2

Sunday, August 18, 2:30 p.m. Shed
Boston Symphony Orchestra
François-Xavier Roth, conductor
Yo-Yo Ma, cello
Members of the BSO horn section
SCHUMANN Concert Piece for four horns and orchestra
SCHUMANN Cello Concerto
BRAHMS Serenade No. 1

Sunday, August 18, 8 p.m. Ozawa Hall
Tanglewood Music Center Orchestra
Giancarlo Guerrero, conductor
TMC Conducting Fellows
Program to include
MAHLER Symphony No. 4

Wednesday, August 21, 8 p.m. Ozawa Hall
Hong Kong Chinese Orchestra^
Huichang Yan, conductor^
With its roots in the musical heritage of its homeland, the Hong Kong Chinese Orchestra is a cultural phenomenon: an ensemble of more than 80 players, performing on traditional Chinese instruments placed in a Western orchestral configuration. The orchestra has built a repertoire that includes not only time-honored Chinese music but also contemporary works, many composed especially for the Hong Kong Chinese Orchestra by some of the leading composers of our time. This is one of only two U.S. engagements on the ensemble’s 2019 international tour.

Friday, August 23, 6 p.m. Ozawa Hall
Prelude Concert
Tanglewood Festival Chorus, James Burton, conductor

Friday, August 23, 8 p.m. Shed

Boston Symphony Orchestra
Yu-An Chang, conductor^^
Ingrid Fliter, piano
MENDELSSOHN Overture to A Midsummer Night’s Dream
RAVEL Piano Concerto in G
SCHUBERT Symphony No. 2

Saturday, August 24, 10:30 a.m. Shed
Rehearsal, Sunday program

Saturday, August 24, 8 p.m. Shed
John Williams’ Film Night
Boston Pops
David Newman, conductor
John Williams, host
John Williams’ Film Night has long been established as one of the Tanglewood calendar’s most anticipated and beloved evenings. Join Mr. Williams as he introduces this year’s celebration of the music of Hollywood and beyond, featuring the Boston Pops and conductor David Newman.

Sunday, August 25, 2:30 p.m. Shed
Boston Symphony Orchestra
Giancarlo Guerrero, conductor
Nicole Cabell, soprano
J’Nai Bridges, mezzo-soprano+
Nicholas Phan, tenor
Morris Robinson, bass
Tanglewood Festival Chorus, James Burton, conductor
SCHOENBERG Friede auf Erden (Peace on Earth), for unaccompanied chorus
BEETHOVEN Symphony No. 9

Tanglewood photos 2018 season

Article updated Nov. 16, 2018, by Dave Read

Tanglewood photos from the 2018 season, dubbed by the BSO “Summer of Lenny in the Berkshires,” which peaked on Aug. 25 with a kaleidoscopic array of artists and ensembles from the worlds of classical music, film, and Broadway. The entire first half of the program is dedicated to selections from such brilliant Bernstein works as Candide, West Side Story, Mass, and Serenade. Music from the classical canon very dear to Bernstein’s heart-selections from Mahler’s Des Knaben Wunderhorn and music by Copland, plus a new work by John Williams, makes up a good portion of the program’s second half; the finale of Mahler’s Resurrection Symphony brought the program to a close.

Sharon Springs Poetry Festival

No way would I have learned about the Oct. 6 concert at Hancock Shaker Village performed by Paul Muldoon, with Rogue Oliphant if I hadn’t escorted my sisters to the environs of Joe’s Diner, on the last day of their week at Oak and Spruce, Maggie’s timeshare. So, be kind to your sisters and good things will happen for you. (Cool video included with my report on the show, linked above)

Paul Muldoon and Billy Collins in conversation at the Sharon Springs Poetry Festival.

It was an awesome show, and writing about it led me to details of Mr. Muldoon’s upcoming appearance at the heretofore unheard-of Sharon Springs Poetry Festival, founded last year by Muldoon, just in time for me to book a spot in a workshop led either by Muldoon or Billy Collins. Also appearing in a variety of roles are Anne Waldman and current US Poet Laureate Tracy K. Smith (she and Collins named for two terms in that post). Happiest hard decision of my life: choosing one poem for the workshop!

Paul Muldoon with Rogue Oliphant, Hancock Shaker Village, Oct. 6, 2018.
Paul Muldoon with Rogue Oliphant, Hancock Shaker Village, Oct. 6, 2018.

Important to keep in mind that whatever poem I carry in is not as important as what I may learn about making poems from Muldoon/Collins and the ten other participants. I would love to talk with Mr. Collins about my poem The Living and the Dead, which is my response to his poem Winter, which I think I heard read by Garrison Keillor on the much-missed Writer’s Almanac.

At the time (of first hearing or reading), I was in the midst of about a year-long dilemma of how to attribute the phrase I got from Herman Melville’s Piazza Tales that are the basis or catalyst for my poem Pivot of Spring. I hadn’t figured out a way to proceed yet, then I’m stopped in my tracks when the penultimate line of Winter includes “the living and the dead,” which also closes James Joyce’s story The Dead. That assemblage of five utterly common words was put to such powerful effect by Joyce that, for me, the phrase would be forever Joyce-branded.

Where’s the attribution? If I had fretted so much about repurposing a Melville phrase, did Billy Collins, too? Honest to god, I came this close to asking Don Hall about it – and felt immediately like a teenaged squealer, busting my buddy or my sister, just to see them squirm!

My solution (months later) was to preface the poem with a mini-essay that put the poem into the context of how it occurred to me, which led me to think that I may be on to something, a prose and poetry hybrid, with the poem ineluctably following the prose, rather than the prose serving as an exegesis of the poem. The prose addresses, instead, how an odd phrase, from a 150 year old short story, can become embedded in someone’s imagination, only to assert itself years later, and spark an ordinary little poem.

I sent them both to Don, who replied in the best way possible. Besides saying something along the lines of “good for you, getting poems while walking – Frost and Stevens used to but I never did.” Alright, there’s a rush from being mentioned in the same breath as those two, even if he only was being polite. As for the poem itself, the Melville phrase amounting to two of six total lines, Don wrote, “I like about half the lines, the others would make me grumpy.” Of course I did not ask him to clarify which lines work.

(More after the festival)

Paul Muldoon with Rogue Oliphant at Hancock Shaker Village

Article updated Oct. 10, 2018, by Dave Conlin Read

Ed. note: Click the linked text for information about Paul Muldoon’s Sharon Springs Poetry Festival, Oct. 18-19.

Listening to a poet say his poems is an opportunity to glimpse words at work. Words were at play when Paul Muldoon with Rogue Oliphant held forth in the rectangular wooden barn upslope from the round stone one at Hancock Shaker Village, October 6, 2018.

Said to be “The most significant English-language poet born since the Second World War,*” Paul Muldoon dazzled the audience with a dizzying array of word play, while his “loose affiliation of composers and musicians” transformed the barn into a CBGB satellite. (*The Times Literary Supplement)

The amiable Muldoon speaks softly and slowly; his voice a good vehicle both for holding the audience’s attention and for carrying them to Ireland, home already to four Nobel Literature laureates, including Seamus Heaney, Muldoon’s college tutor.

Chris Harford, on guitar and vocals, was an apt foil for Muldoon; one resembled a staid professor while the other stayed true to rock star form. Muldoon would wander away from the mic for long stretches, sometimes after saying the lyric a cappella, then leaving the band to animate it – with ballsy bass lines, insistent drum taps, sick guitar solos and wailing fiddle licks.

Paul Muldoon and Rogue Oliphant at Hancock Shaker Village

song v. poem Dylan or Roth?

On fiddle and guitar was David Mansfield, whom we first saw in concert when Bob Dylan and the Rolling Thunder Revue played two shows in Springfield. Speaking of Dylan, here’s what the late poet Donald Hall told me about him getting the Nobel: “Curiously, when I read Bob Dylan on the page, the words make no sound! Poetry-sound is utterly different from music. When he sings them, I reckon that they make a good noise!…Phil Roth should have won the Nobel, and now he never will.”

I don’t mean to disparage Dylan, whose bandwagon I’ve been riding practically since it left the station – but, just like him, I know there’s a difference between a poem and a song. This project of Muldoon’s is worthy of widespread attention, because it is so much fun, with such great music, audiences may wind up falling in love with language itself. Then they’d become better listeners, they’d pay closer attention …

Funny thing about this concert is that it concluded with a song, Comeback, that describes the way the season at Tanglewood now opens: heavily-hyped shows by remnants of rock royalty – a sad spectacle often, but excusable when the royalties, too, have dried up.

Introducing it, Muldoon referred to The Who – competing remnants of which have played there the last two seasons, taking up the space and time that should be reserved for musicians with something new to say – as they themselves did when they dropped by five days before Woodstock!

The Irish Arts Center in NYC is the locale of Muldoon’s Picnic, which convenes on the second Monday of the month, featuring Rogue Oliphant and – as Chris Harford puts it, “Paul’s literary friends, like Salmon Rushdie and Joyce Carol Oates.”

Links:

  • Hancock Shaker Village;
  • Paul Muldoon;
  • Rogue Oliphant.

Title Poem

Poems aimed toward the market are to be kept from the sort of view hereby afforded, much to my chagrin, so let’s put on a happy face and list titles of poems I’ve worked on recently. Whatever “recently” means! 

  • Ars Poetica, v 18.10, 
  • Ars Poetica, v 18.10a,
  • Cape Cod Post Card
  • In Sight of Music
  • There Is No Theft In Poetry
  • “belief system” is the Dumbest Oxymoron
  • Salsa, or more food for thought
  • Incipient Decadence
  • Buster Browns
  • Pivot of Spring
  • In re: Music
  • Haiku Washington sotto voce: Dateline Washington
  • Afterparty
  • This Month’s Prompt
  • All that’s left
  • Animated by Grief
  • Backyard Agriculture
  • Buoys and Gales
  • Children of the Fifties
  • Dead Too Early
  • Hail! Martha
  • Imagine That
  • In the Merry Month of May
  • Leap to Childhood
  • Midnight Mass
  • Shudder and Echo
  • To my Parents
  • Tubers and Rain
  • Until the Mist
  • Yes Mom, I’ll be Brief
  • all that’s needed for poetry
  • Ars Poetica, v. MCMXIII
  • Ars Poetica, v. 18
  • Cinquain for Amy Lowell
  • First Among Equals
  • How To Epigram
  • Oh My Allen Ginsberg
  • Wrong Day for Reading
  • Before God Is Told
  • Emily, forgive me
  • God Hates Sects
  • I Broke Down
  • I Fined God
  • If God
  • Phys Ed
  • Spring Fever
  • Spring Logic
  • The Day That Won’t Fade
  • Valentine
  • While September Slips
  • Worst Case Scenario
  • Dispersal of Sadness
  • Epitaph
  • Hockey Dad
  • Martha
  • Mourning Meditation
  • Dear Mr. President
  • Farewell Address
  • I Hear the Media
  • Lincoln
  • Memorial Day
  • News Item*
  • The Outer Borough Colonel, Old Bone Spur
  • Ars Poetica 00
  • Epitaph for Donald Hall
  • Home from the Hospital
  • Interruption
  • Let America Be America
  • poetry predates the academy, perhaps
  • Poets Resist
  • Son and Father Alignment
  • Untitled axiom
  • All Souls Day
  • At the Window
  • Haiku New England
  • Wake-up Call
  • Admonition to a nephew
  • Beatnik Ode
  • Become the World
  • Blessed is He
  • Constitutional
  • Buoyancy
  • Epigrams
  • Grief Wants
  • I Remember Snow
  • Ignorance
  • Just Sayin’
  • Metaphorically Speaking
  • Midnight Salon
  • Prisoner of Freedom
  • Quid Pro Quo
  • Savoring Poetry
  • Sidewalk Manners
  • The Living and The Dead
  • The Mississippi of the Mind
  • Tourist Trap
  • What’ll We Do With The Hapless
  • Words are like that
  • Write Brain

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