Program details for week three at Tanglewood, July 18 – July 24, 2008.<\/p>\n
Elliott Carter Centenary <\/strong> <\/p>\n Friday, July 18, 6 p.m., Ozawa Hall<\/p>\n MEMBERS OF THE BOSTON SYMPHONY ORCHESTRA<\/p>\n Prelude concert<\/p>\n Friday, July 18, 7 p.m., Shed<\/p>\n \u201cThis Week at Tanglewood\u201d discussion series Friday, July 18, 8:30 p.m., Shed<\/p>\n BOSTON SYMPHONY ORCHESTRA<\/p>\n JAMES LEVINE, conductor<\/p>\n KATE LINDSEY, mezzo-soprano (Harbison)<\/p>\n Baritone to be announced (Harbison)<\/p>\n HARBISON Symphony No. 5<\/p>\n MAHLER Symphony No. 1<\/p>\n Saturday, July 19, 10:30 a.m., Shed<\/p>\n Open Rehearsal<\/p>\n Sunday program; pre-rehearsal talk at 9:30 a.m.<\/p>\n Saturday, July 19, 8:30 p.m., Shed<\/p>\n BOSTON SYMPHONY ORCHESTRA<\/p>\n LEONARD SLATKIN, conductor<\/p>\n MIDORI, violin<\/p>\n VAUGHAN WILLIAMS Five Variants of \u201cDives TCHAIKOVSKY Violin Concerto<\/p>\n COPLAND Symphony No. 3<\/p>\n Festival of Contemporary Music: July 20-24<\/p>\n Elliott Carter Centenary<\/p>\n Sunday, July 20, 10 a.m., Ozawa Hall<\/p>\n TANGLEWOOD MUSIC CENTER FELLOWS<\/p>\n OLIVER KNUSSEN, conductor<\/p>\n CHARLES ROSEN, piano<\/p>\n URSULA OPPENS, harpsichord<\/p>\n ALL-CARTER PROGRAM (FCM)<\/p>\n Call, for two trumpets and horn<\/p>\n Asko Concerto, for ensemble<\/p>\n Luimen, for ensemble<\/p>\n Refl\u00e9xions, for ensemble<\/p>\n Double Concerto for piano, harpsichord, Sunday, July 20, 2:30 p.m., Shed<\/p>\n BOSTON SYMPHONY ORCHESTRA<\/p>\n SHI-YEON SUNG, conductor**<\/p>\n GARRICK OHLSSON, piano<\/p>\n SCHUMANN Manfred Overture<\/p>\n SCHUMANN Piano Concerto<\/p>\n MENDELSSOHN Symphony No. 4, Italian<\/p>\n Sunday, July 20, 8 p.m., Ozawa Hall<\/p>\n TANGLEWOOD MUSIC CENTER ORCHESTRA<\/p>\n JAMES LEVINE, conductor<\/p>\n NICHOLAS HODGES, piano<\/p>\n THOMAS MARTIN, clarinet<\/p>\n ALL-CARTER PROGRAM (FCM)<\/p>\n Dialogues, for piano and orchestra<\/p>\n Clarinet Concerto<\/p>\n Sound Fields, for string orchestra (world premiere; commissioned by the Tanglewood Music Center)<\/p>\n Variations for Orchestra<\/p>\n Monday, July 21, 4 p.m., Ozawa Hall<\/p>\n ELLIOTT CARTER<\/p>\n JAMES LEVINE<\/p>\n FRED SHERRY<\/p>\n ELLEN HIGHSTEIN, moderator<\/p>\n Panel discussion (FCM)<\/p>\n Monday, July 21, 5 p.m., Ozawa Hall<\/p>\n JAMES LEVINE, CHARLES ROSEN, ALL-CARTER PROGRAM (FCM)<\/p>\n Matribute<\/p>\n Piano Sonata<\/p>\n Night Fantasies, for piano<\/p>\n Monday, July 21, 8 p.m., Ozawa Hall<\/p>\n TANGLEWOOD MUSIC CENTER FELLOWS<\/p>\n STEFAN ASBURY, conductor<\/p>\n LUCY SHELTON, soprano<\/p>\n ALL-CARTER PROGRAM (FCM)<\/p>\n Tempo e Tempi, for soprano and ensemble<\/p>\n Syringa, for mezzo-soprano, baritone, and ensemble<\/p>\n Penthode, for ensemble<\/p>\n Triple Duo, for ensemble<\/p>\n Tuesday, July 22, 5 p.m., Ozawa Hall<\/p>\n TANGLEWOOD MUSIC CENTER FELLOWS<\/p>\n ALL-CARTER PROGRAM (FCM)<\/p>\n Enchanted Preludes, for flute and cello<\/p>\n Figment I, for solo cello<\/p>\n Esprit Rude\/Esprit Doux, for flute and clarinet<\/p>\n Esprit Rude\/Esprit Doux II, for flute, clarinet, Au Quai, for viola and bassoon<\/p>\n Figment II, for solo cello<\/p>\n Trilogy, for oboe and harp<\/p>\n Two Thoughts about the Piano: Cat\u00e9naires Tuesday, July 22, 8 p.m., Ozawa Hall<\/p>\n TANGLEWOOD MUSIC CENTER FELLOWS<\/p>\n JAMES LEVINE and JOHN OLIVER, conductors<\/p>\n JO ELLEN MILLER, soprano<\/p>\n ANN HOBSON PILOT, harp<\/p>\n FRED SHERRY, cello<\/p>\n ALL-CARTER PROGRAM (FCM)<\/p>\n Sonata for Flute, Oboe, Cello, and Harpsichord<\/p>\n In the Distances of Sleep, for mezzo-soprano Mosaic, for harp and ensemble (American premiere; Mad-Regales, for solo voices (world premiere; commissioned by A Mirror on Which to Dwell, for soprano and ensemble<\/p>\n Wednesday, July 23, 4 p.m., Ozawa Hall<\/p>\n TANGLEWOOD MUSIC CENTER FELLOWS<\/p>\n JAMES LEVINE, conductor<\/p>\n DOUGLAS FITCH, director and set designer<\/p>\n Film screening of Carter\u2019s What Next?, Wednesday, July 23, 5 p.m., Ozawa Hall<\/p>\n TANGLEWOOD MUSIC CENTER FELLOWS<\/p>\n ALL-CARTER PROGRAM (FCM)<\/p>\n Quintet for Piano and Winds<\/p>\n String Quartet No. 2<\/p>\n Wednesday, July 23, 8 p.m., Ozawa Hall<\/p>\n TANGLEWOOD MUSIC CENTER ORCHESTRA<\/p>\n OLIVER KNUSSEN, conductor<\/p>\n TANGLEWOOD MUSIC CENTER FRED SHERRY, cello<\/p>\n ALL-CARTER PROGRAM (FCM)<\/p>\n Holiday Overture<\/p>\n Cello Concerto<\/p>\n Three Occasions for Orchestra<\/p>\n Concerto for Orchestra<\/p>\n Thursday, July 24, 4 p.m., Ozawa Hall<\/p>\n Former Boston Globe Music Critic Richard Dyer interviews Elliott Carter. (FCM)<\/p>\n Thursday, July 24, 5 p.m., Ozawa Hall<\/p>\n TANGLEWOOD MUSIC CENTER FELLOWS<\/p>\n CHARLES ROSEN, piano<\/p>\n FRED SHERRY, cello<\/p>\n ALL-CARTER PROGRAM (FCM)<\/p>\n Selected Pieces for Timpani<\/p>\n 4 Lauds, for violin<\/p>\n Figment IV, for viola<\/p>\n Figment III, for double-bass<\/p>\n Steep Steps, for bass clarinet<\/p>\n Selected Pieces for Timpani<\/p>\n Elegy, for cello and piano<\/p>\n Thursday, July 24, 8 p.m. Ozawa Hall<\/p>\n BOSTON SYMPHONY ORCHESTRA<\/p>\n JAMES LEVINE, conductor<\/p>\n JAMES SOMMERVILLE, horn<\/p>\n ALL-CARTER PROGRAM (FCM)<\/p>\n Boston Concerto, for orchestra<\/p>\n Three Illusions for Orchestra<\/p>\n Horn Concerto<\/p>\n Symphonia: Sum fluxae pretium spei<\/p>\n * denotes BSO debut; ** denotes Tanglewood debut<\/p>\n Festival of Contemporary Music, the Elliott Carter Centenary, highlights week three of the 2008 Tanglewood season.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[8],"tags":[],"class_list":["post-26874","post","type-post","status-publish","format-standard","category-outdated","entry"],"_links":{"self":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/26874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/comments?post=26874"}],"version-history":[{"count":0,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/26874\/revisions"}],"wp:attachment":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/media?parent=26874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/categories?post=26874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/tags?post=26874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nwith moderator Martin Bookspan<\/p>\n
\nand Lazarus\u201d<\/p>\n
\nand large ensemble<\/p>\n
\nand URSULA OPPENS, piano<\/p>\n
\nand marimba<\/p>\n
\nand Intermittances, for solo piano<\/p>\n
\nand ensemble<\/p>\n
\nco-commissioned by the BSO
\nand Nash Ensemble)<\/p>\n
\nthe Tanglewood Music Center)<\/p>\n
\nfrom the American stage premiere filmed
\nin performace at Tanglewood in 2006 (FCM)<\/p>\n
\nCONDUCTING FELLOW<\/p>\n\n