{"id":13764,"date":"2014-08-08T10:16:47","date_gmt":"2014-08-08T15:16:47","guid":{"rendered":"http:\/\/www.berkshirelinks.com\/?p=13764"},"modified":"2014-08-08T10:16:47","modified_gmt":"2014-08-08T15:16:47","slug":"verdi-tanglewood-july-27-2014","status":"publish","type":"post","link":"https:\/\/idealpoetry.com\/rwc\/verdi-tanglewood-july-27-2014\/","title":{"rendered":"Verdi delights at Tanglewood July 27, 2014"},"content":{"rendered":"<div class=\"page-header\">\n<h1>Verdi delights at Tanglewood July 27, 2014<\/h1>\n<\/div>\n<p>Article by <a href=\"https:\/\/plus.google.com\/+DaveRead\/\" rel=\"author\">Dave Read<\/a><\/p>\n<p>When I organized my Tanglewood calendar, the chief reason I selected this program was because it featured the <a href=\"http:\/\/www.bso.org\/brands\/bso\/about-us\/musicians\/tanglewood-festival-chorus.aspx\">Tanglewood Festival Chorus<\/a> (TFC), which I have come to know and enjoy by way of their annual appearance on the season finale program of <strong>Beethoven&#8217;s<\/strong> <em>Symphony No. 9<\/em>. And so the TFC is associated with the solemn feelings engendered by that work, all that heavy stuff about eternal brotherhood. <\/p>\n<p><a href=\"http:\/\/www.berkshirelinks.com\/berkshires-news\/wp-content\/uploads\/2014\/08\/Jacques-Lacombe-leads-the-BSO-vocal-soloists-and-the-TFC-in-the-finale-of-Verdis-Aida-7.27.14-Hilary-Scott-e1407511057831.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.berkshirelinks.com\/berkshires-news\/wp-content\/uploads\/2014\/08\/Jacques-Lacombe-leads-the-BSO-vocal-soloists-and-the-TFC-in-the-finale-of-Verdis-Aida-7.27.14-Hilary-Scott-400x266.jpg\" alt=\"BSO and Tanglewood Festival Chorus performing Verdi at Tanglewood, July 27, 2014.\" width=\"400\" height=\"266\" class=\"alignleft size-medium wp-image-13765\" \/><\/a>But instead of getting a profundity fix today, a giant glowing happy face got slapped on my soul! You would think something called <em>Va, pensiero (Chorus of the Hebrew Slaves)<\/em> would be doleful, melancholy, yet it had the opposite effect on me. Preceded by the Overture to <em>Nabucco<\/em>, which includes melodies from it, <em>Va, pensiero<\/em> was as thoroughly satisfying as any musical performance I&#8217;ve attended. Whatever <strong>Giuseppe Verdi<\/strong> (1813-1901) was intending to convey, joy was what I felt.<\/p>\n<p>This performance had such an immediate and sustained effect on me that I began to suspect that I had heard it over and over a lifetime ago, as if Joy had been inculcated while these melodies looped &#8211; had been embedded in me like treachery had been in the <em>Manchurian candidate<\/em>!<\/p>\n<h2>Triumphal Scene (Act II, scene 2) from Aida<\/h2>\n<p>Of course what followed was more of the same, the Triumphal Scene (Act II, scene 2) from <em>Aida<\/em> which Verdi composed some thirty years later. If I hadn&#8217;t just heard <em>Va, pensiero<\/em>, I may well have had a similarly ecstatic response to these selections from Aida. As it happened, a wonderful afternoon just got even better. Representing less than one-fifth of Aida, the Triumphal Scene nevertheless delivers a full measure of enjoyment, and even in today&#8217;s concert setting, was visually appealing, trios of trumpeters flanking the orchestra.<\/p>\n<h2>Conductor Jacques Lacombe and pianist Gabriela Montero<\/h2>\n<p>Opening the program, which was conducted by Canadian <strong>Jacques Lacombe<\/strong> in his BSO and Tanglewood debuts, <strong>Rachmaninoff&#8217;s<\/strong> <em>Piano Concerto No. 2<\/em>, with soloist Venezuelan-American pianist <strong>Gabriela Montero<\/strong>. Marked by familiar melodies, we listened to it while the strolling the lawn, the better to enjoy the singular Tanglewood experience.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Verdi delights at Tanglewood July 27, 2014 Article by Dave Read When I organized my Tanglewood calendar, the chief reason I selected this program was because it featured the Tanglewood Festival Chorus (TFC), which I have come to know and enjoy by way of their annual appearance on the season finale program of Beethoven&#8217;s Symphony [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13765,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[18],"tags":[37],"class_list":["post-13764","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tanglewood-3","tag-2014-tanglewood-reviews","entry"],"_links":{"self":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/13764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/comments?post=13764"}],"version-history":[{"count":0,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/13764\/revisions"}],"wp:attachment":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/media?parent=13764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/categories?post=13764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/tags?post=13764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}