{"id":13143,"date":"2013-12-30T08:47:05","date_gmt":"2013-12-30T13:47:05","guid":{"rendered":"http:\/\/www.berkshirelinks.com\/?p=13143"},"modified":"2013-12-30T08:47:05","modified_gmt":"2013-12-30T13:47:05","slug":"tanglewood-schedule-july-5-10-2014","status":"publish","type":"post","link":"https:\/\/idealpoetry.com\/rwc\/tanglewood-schedule-july-5-10-2014\/","title":{"rendered":"Tanglewood schedule July 5 &#8211; 10, 2014"},"content":{"rendered":"<div class=\"page-header\">\n<h1>Tanglewood schedule July 5 &#8211; 10, 2014<\/h1>\n<\/div>\n<p>Article by <a href=\"https:\/\/plus.google.com\/+DaveRead\/\" rel=\"author\">Dave Read<\/a><\/p>\n<p>Week 1 on the <strong>2014 Tanglewood schedule<\/strong> is highlighted by the BSO&#8217;s <strong>Opening Night at Tanglewood<\/strong> on July 5 with an all-American program starring soprano <strong>Renee Fleming<\/strong> singing works of the American concert hall and opera stage, plus favorites from musical theater and popular genres.  Israeli conductor <strong>Asher Fisch<\/strong> leads the orchestra in a Shed concert on Sunday, July 6 with pianist <strong>Garrick Ohlsson<\/strong>. The program includes orchestral excerpts from <strong>Wagner\u2019s<\/strong> <em>Die Meistersinger von N\u00fcrnberg<\/em>, <strong>Brahms\u2019s<\/strong> Piano <em>Concerto No. 2<\/em>, and <strong>Liszt\u2019s<\/strong> tone poem <em>Les Pr\u00e9ludes<\/em>.  <\/p>\n<h2>Opening Night at Tanglewood Saturday, July 5, 2014<\/h2>\n<ul>\n<li>Saturday, July 5, 8:30 p.m. Shed<\/li>\n<li>Opening Night at Tanglewood<\/li>\n<li>Boston Symphony Orchestra<\/li>\n<li>Ren\u00e9e Fleming, soprano<\/li>\n<\/ul>\n<h2>Sunday, July 6, 2:30 p.m. Shed<\/h2>\n<ul>\n<li>Boston Symphony Orchestra,<\/li>\n<li>Asher Fisch, conductor<\/li>\n<li>Garrick Ohlsson, piano<\/li>\n<li>BRAHMS &#8211; Piano Concerto No. 2<\/li>\n<li>LISZT &#8211; Les Pr\u00e9ludes<\/li>\n<li>WAGNER &#8211; Excerpts from Die Meistersinger<\/li>\n<\/ul>\n<h2>Wednesday, July 9, 8 p.m. Ozawa Hall<\/h2>\n<ul>\n<li>Chanticleer<\/li>\n<li>She Said\/He Said<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.berkshirelinks.com\/berkshires-news\/wp-content\/uploads\/2013\/12\/Renee-Fleming-345x290.jpg\" alt=\"Renee Fleming featured on BSO Tanglewood Opening Night 2014\" width=\"345\" height=\"290\" class=\"alignright size-full wp-image-13144\" \/>On Wednesday, July 9, <strong>Chanticleer<\/strong> comes to Ozawa Hall with a program called <em>She Said\/He Said<\/em>. The complex and emotionally charged dialogue between the sexes is an eternal theme for composers, from the bawdiest Renaissance madrigals through standards by Cole Porter. In another vein, godliness bestowed upon women is extolled in works by Andrea Gabrieli and Eric Whitacre. She Said\/He Said will feature female voices as diverse as Hildegard von Bingen and Stacy Garrop, German Romanticism from Brahms and Fanny Mendelssohn, and songwriting by <strong>Joni Mitchell<\/strong>. The program will conclude with newly created arrangements contributing fresh material to Chanticleer\u2019s popular and jazz repertoire.  <\/p>\n<p>In an extended concert with two intermissions on <strong>Thursday, July 10<\/strong>, the eminent <strong>Emerson String Quartet<\/strong> provides the rare opportunity to hear the last five of <strong>Shostakovich\u2019s<\/strong> string quartets in a single evening. The selected quartets are Nos. 11, 12, 13, 14, and 15, all composed in the Cold War-era USSR between 1966 and 1975. <\/p>\n<h2>Thursday, July 10, 7:30 p.m. Ozawa Hall<\/h2>\n<ul>\n<li>Emerson String Quartet<\/li>\n<li>SHOSTAKOVICH Quartets Nos. 11, 12, 13, 14, and 15<\/li>\n<li>This is an extended concert with two intermissions.<\/li>\n<\/ul>\n<p><em>Friday, July 11, 6 p.m. Ozawa Hall, Prelude Concert, Members of the Boston Symphony Orchestra<br \/>\nFriday, July 11, 7:15 p.m. Shed. This Week at Tanglewood Panel discussion with moderator Martin Bookspan and guest artists.<\/em><\/p>\n<h2>Friday, July 11, 8:30 p.m. Shed<\/h2>\n<p>On July 11, <strong>Andris Nelsons<\/strong> makes his first Tanglewood appearances since being named the <strong>Boston Symphony Orchestra\u2019s<\/strong> music director designate on a program with German violinist Anne-Sophie Mutter. It will be an <strong>all-Dvorak<\/strong> program including the <em>Violin Concerto<\/em>, the pastoral and tuneful <em>Symphony No. 8<\/em>, and the rarely performed 1896 symphonic poem <em>The Noonday Witch<\/em>. <\/p>\n<h2>Friday, July 11, 8:30 p.m. Shed<\/h2>\n<ul>\n<li>Boston Symphony Orchestra<\/li>\n<li>Andris Nelsons, conductor<\/li>\n<li>Anne-Sophie Mutter, violin<\/li>\n<li>ALL-DVO?\u00c1K PROGRAM<\/li>\n<li>The Noonday Witch<\/li>\n<li>Violin Concerto<\/li>\n<li>Symphony No. 8<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Tanglewood schedule July 5 &#8211; 10, 2014 Article by Dave Read Week 1 on the 2014 Tanglewood schedule is highlighted by the BSO&#8217;s Opening Night at Tanglewood on July 5 with an all-American program starring soprano Renee Fleming singing works of the American concert hall and opera stage, plus favorites from musical theater and popular [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13144,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[8],"tags":[],"class_list":["post-13143","post","type-post","status-publish","format-standard","has-post-thumbnail","category-outdated","entry"],"_links":{"self":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/13143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/comments?post=13143"}],"version-history":[{"count":0,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/13143\/revisions"}],"wp:attachment":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/media?parent=13143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/categories?post=13143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/tags?post=13143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}