{"id":12549,"date":"2013-08-30T09:34:15","date_gmt":"2013-08-30T14:34:15","guid":{"rendered":"http:\/\/www.berkshirelinks.com\/?p=12549"},"modified":"2013-08-30T09:34:15","modified_gmt":"2013-08-30T14:34:15","slug":"beethovens-ninth-closes-bso-2013-bso-tanglewood-season","status":"publish","type":"post","link":"https:\/\/idealpoetry.com\/rwc\/beethovens-ninth-closes-bso-2013-bso-tanglewood-season\/","title":{"rendered":"Beethoven&#8217;s Ninth closes BSO&#8217;s 2013 Tanglewood season"},"content":{"rendered":"<div class=\"page-header\">\n<h1>Beethoven&#8217;s Ninth closes BSO&#8217;s 2013 Tanglewood season<\/h1>\n<\/div>\n<p>August 25, 2013 performance; by <a href=\"http:\/\/www.berkshirelinks.com\/dave-read\/\" rel=\"author\">Dave Read<\/a><\/p>\n<p><a href=\"http:\/\/www.berkshirelinks.com\/berkshires-news\/wp-content\/uploads\/2013\/08\/b9-all.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.berkshirelinks.com\/berkshires-news\/wp-content\/uploads\/2013\/08\/b9-all-400x266.jpg\" alt=\"Maestro Bernard Haitink leads Beethoven&#039;s Ninth at Tanglewood.\" width=\"400\" height=\"266\" class=\"alignleft size-medium wp-image-12550\" \/><\/a>There is an appealing symmetry in the scheduling of <strong>Beethoven&#8217;s Ninth at Tanglewood<\/strong>; it is the composition chosen 76 years ago by founding maestro <strong>Serge Koussevitsky<\/strong> to open the <a href=\"http:\/\/bso.org\/\">Boston Symphony Orchestra&#8217;s<\/a> summer sojourn in <strong>the Berkshires<\/strong> and now it is almost always* played on the closing program. (*Former music director <strong>James Levine<\/strong> opened the 2006 Tanglewood season with Beethoven&#8217;s Ninth.) <\/p>\n<p>For today&#8217;s concert, with BSO Conductor Emeritus <strong>Bernard Haitink<\/strong> leading the <strong>BSO<\/strong>, <strong>Tanglewood Festival Chorus<\/strong>, and soprano <strong>Erin Wall<\/strong>, mezzo-soprano <strong>Tamara Mumford<\/strong>, tenor <strong>Joseph Kaiser<\/strong>, and bass-baritone <strong>John Relyea<\/strong>, a capacity audience filled the Koussevitsky Music Shed and seven or eight thousand more convened on the Lawn, all on a day when the weather was the sort that makes even the most sullen among us see the sunny side of things.<\/p>\n<p>The performance of Maestro Haitink seemed flawless, as if he were at the pre-emeritus peak of his long career. He commanded the 200+ musicians arrayed before him with an economy of action that nonetheless elicited a banquet of beautiful music. He showed that fury can be conveyed without frenzy. <\/p>\n<p>Today&#8217;s performance thwarted my most determined attempt at entering a thought-less state, so that I might simply go with what flows from the stage. The first idea that trotted along was that a setting such as this, the bucolic Berkshires on a splendid summer afternoon, must&#8217;ve been put before us so that we could access a tangible, visual analog to these sounds that are rustling our souls. And that was enough to make me quit jotting mental notes. For the balance of today&#8217;s 71 minute celebration, I was delighted merely to be marked present. The ovations that followed were joyous and prolonged and included the musicians&#8217; foot stomping salute to Maestro Haitnik. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beethoven&#8217;s Ninth closes BSO&#8217;s 2013 Tanglewood season August 25, 2013 performance; by Dave Read There is an appealing symmetry in the scheduling of Beethoven&#8217;s Ninth at Tanglewood; it is the composition chosen 76 years ago by founding maestro Serge Koussevitsky to open the Boston Symphony Orchestra&#8217;s summer sojourn in the Berkshires and now it is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12550,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9,18],"tags":[36],"class_list":["post-12549","post","type-post","status-publish","format-standard","has-post-thumbnail","category-beethoven","category-tanglewood-3","tag-2013-tanglewood-reviews","entry"],"_links":{"self":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/12549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/comments?post=12549"}],"version-history":[{"count":0,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/12549\/revisions"}],"wp:attachment":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/media?parent=12549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/categories?post=12549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/tags?post=12549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}