{"id":12164,"date":"2013-07-13T17:15:05","date_gmt":"2013-07-13T22:15:05","guid":{"rendered":"http:\/\/www.berkshirelinks.com\/?p=12164"},"modified":"2013-07-13T17:15:05","modified_gmt":"2013-07-13T22:15:05","slug":"the-great-gatsby-opera-at-tanglewood","status":"publish","type":"post","link":"https:\/\/idealpoetry.com\/rwc\/the-great-gatsby-opera-at-tanglewood\/","title":{"rendered":"The Great Gatsby John Harbison&#8217;s Opera performed at Tanglewood"},"content":{"rendered":"<div class=\"page-header\">\n<h1>The Great Gatsby John Harbison&#8217;s Opera performed at Tanglewood<\/h1>\n<\/div>\n<p>July 11, 2013 performance; by <a href=\"http:\/\/www.berkshirelinks.com\/dave-read\/\" rel=\"author\">Dave Read<\/a><\/p>\n<p><a href=\"http:\/\/www.berkshirelinks.com\/berkshires-news\/wp-content\/uploads\/2013\/07\/gatsby-turner-geitz.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.berkshirelinks.com\/berkshires-news\/wp-content\/uploads\/2013\/07\/gatsby-turner-geitz-400x266.jpg\" alt=\"Ryan Turner, conductor and Gordon Gietz as Jay Gatsby, Tanglewood; photo: Hilary Scott.\" width=\"400\" height=\"266\" class=\"alignleft size-medium wp-image-12167\" \/><\/a>The concert performance in <strong>Ozawa Hall at Tanglewood<\/strong> of <em>The Great Gatsby<\/em>, by the orchestra and chorus of <a href=\"http:\/\/www.emmanuelmusic.org\/\">Emmanuel Music<\/a>, was so enjoyable that we&#8217;re tempted to propose a corollary to F. Scott Fitzgerald&#8217;s adage, <em>There are no second acts in American lives<\/em>, to wit, A<em>merican novels can get third lives<\/em>. <\/p>\n<p>None of the movie versions of The Great Gatsby has achieved anything near the stature of the novel, but we think the opera has legs and can give the book a run for its money. Whereas Fitzgerald&#8217;s standing as a prose stylist cannot be ignored, his choices relating to plots and characters can make it easy to overlook his books. But it is precisely the contrivedly tragic plot and one-dimensional characters that make Gatsby such a good fit for Opera.<\/p>\n<p><a href=\"http:\/\/www.berkshirelinks.com\/berkshires-news\/wp-content\/uploads\/2013\/07\/gatsby-cast.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.berkshirelinks.com\/berkshires-news\/wp-content\/uploads\/2013\/07\/gatsby-cast-400x266.jpg\" alt=\"Cast of The Great Gatsby at Tanglewood; Hilary Scott photo.\" width=\"400\" height=\"266\" class=\"alignright size-medium wp-image-12168\" \/><\/a>We particularly enjoyed the performance of baritone <strong>David Kravitz<\/strong> as <strong>Nick Carraway<\/strong>, the steady narrator, and we came to prize soprano <strong>Devon Guthrie<\/strong>, who got <strong>Daisy Buchanan<\/strong> off to a slow start, only to hit her stride and then practically blow the roof off the joint in the middle of Act ll.<\/p>\n<p>Composer <a href=\"http:\/\/en.wikipedia.org\/wiki\/John_Harbison\">John Harbison<\/a>, recipient this month of the <strong>BSO&#8217;s Horblit Award<\/strong>  and present tonight, was commissioned in 1998 by the <strong>Metropolitan Opera<\/strong> to compose the opera in honor of <strong>James Levine&#8217;s<\/strong> 25th anniversary there. Since then, there have been several related projects including the compilation of a <em>Gatsby Suite<\/em>. In the program notes, Mr. Harbison, whose Tanglewood relationship includes stints as a TMC Conducting Fellow, faculty member and coordinator of the composition program, calls tonight&#8217;s performance a revival. <\/p>\n<p>Ozawa Hall was a lovely accompanist for the performance on a rare comfortable July evening, with a near-capacity audience indoors and a good compliment of West Eggers peering on from the lawn.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Great Gatsby John Harbison&#8217;s Opera performed at Tanglewood July 11, 2013 performance; by Dave Read The concert performance in Ozawa Hall at Tanglewood of The Great Gatsby, by the orchestra and chorus of Emmanuel Music, was so enjoyable that we&#8217;re tempted to propose a corollary to F. Scott Fitzgerald&#8217;s adage, There are no second [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12168,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[18],"tags":[36],"class_list":["post-12164","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tanglewood-3","tag-2013-tanglewood-reviews","entry"],"_links":{"self":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/12164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/comments?post=12164"}],"version-history":[{"count":0,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/12164\/revisions"}],"wp:attachment":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/media?parent=12164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/categories?post=12164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/tags?post=12164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}