{"id":10438,"date":"2012-08-19T14:31:14","date_gmt":"2012-08-19T19:31:14","guid":{"rendered":"http:\/\/www.berkshirelinks.com\/?p=10438"},"modified":"2012-08-19T14:31:14","modified_gmt":"2012-08-19T19:31:14","slug":"john-williams-80th-birthday-celebration-at-tanglewood","status":"publish","type":"post","link":"https:\/\/idealpoetry.com\/rwc\/john-williams-80th-birthday-celebration-at-tanglewood\/","title":{"rendered":"John Williams&#8217; 80th birthday celebration at Tanglewood"},"content":{"rendered":"\n<div class=\"page-header\">\n<h1>John Williams&#8217; 80th birthday celebration at Tanglewood<\/h1>\n<\/div>\n<p>August 18, 2012 performance; <a href=\"https:\/\/plus.google.com\/+DaveRead\/\" rel=\"author\">Dave Read<\/a>.<\/p>\n<p><strong>Tanglewood<\/strong> rung up another glittering gala celebration, honoring the 80th birthday of <strong>Boston Pops<\/strong> Laureate Conductor <strong>John Williams<\/strong> with no less a musical luminary than soprano <strong>Jessye Norman<\/strong> serving as M.C. But to refer to John Williams as Boston Pops Laureate Conductor is like referring to <strong>Bob Dylan<\/strong> as a former Minnesotan. <\/p>\n<p>Williams&#8217; compositions, especially those written for movies, have global appeal and place him in the pantheon of popular art. As pointed out by <strong>Leonard Slatkin<\/strong>, who conducted several segments of tonight&#8217;s program, John Williams may have surpassed <strong>Beethoven<\/strong> in writing the world&#8217;s most familiar musical motif. Slatkin first sounded the four notes that open Beethoven&#8217;s <em>Symphony No. 5<\/em>, then declared that Williams beat him by two with the oh-so-familiar two notes from his <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/File:JawsJohnWilliams.ogg\" title=\"Listen to the two note Jaws theme.\">Theme for Jaws<\/a><\/em>. <\/p>\n<p><strong>Steven Speilberg<\/strong>, whose local ties include service on the board of the <a href=\"http:\/\/www.berkshirelinks.com\/norman-rockwell-museum-2012-schedule\/\">Norman Rockwell Museum<\/a>, took the stage and noted that their collaborations have spanned half of Williams&#8217; life. Other encomia were presented, fittingly, via the big screen. The festivities began with anchorman <strong>Brian Williams<\/strong>, no relation, appearing to do a fake newscast about Williams&#8217; 80th birthday being celebrated at an &#8220;unknown location,&#8221; before zooming in via Google earth on Tanglewood. Another movie titan, <strong>George Lucas<\/strong>, also added his best wishes from a remote location.<\/p>\n<h2>Photos of John Williams&#8217; 80th birthday celebration at Tanglewood<\/h2>\n\n<p>The initial musical salvo was delivered, in dramatic fashion, by the <strong>US Army Herald Trumpets<\/strong>, flanking the stage with their director conducting from the center aisle, playing Williams&#8217;s <em>Olympic Fanfare and Theme<\/em>, along with the Boston Pops under the baton of <strong>Keith Lockhart<\/strong>.<\/p>\n<p>The big screen unfurled again and there was <strong>President Obama<\/strong> adding his accolades, on behalf of a grateful nation. Aslo &#8220;live via videotape&#8221; were <strong>Gustavo Dudamel<\/strong> and <strong>Deborah Borda<\/strong> from Williams&#8217;s &#8220;hometown orchestra&#8221; the <strong>Los Angeles Philharmonic<\/strong>. His orchestral work <em>Soundings<\/em> was performed at the opening of their new home, <strong>Walt Disney Concert Hall<\/strong> in 2003, and also performed at Tanglewood a few years ago.<\/p>\n<p>Video greetings from the <strong>Boston Red Sox<\/strong> entertained Williams and the huge audience returning to their seats, blankets, benches, and lawn chairs after intermission followed by <em>Fanfare for Fenway<\/em>, Williams composition for the ballpark&#8217;s 100th anniversary.<\/p>\n<p>Another screen drop and here was <a href=\"http:\/\/www.berkshirelinks.com\/seiji-ozawas-tanglewood-farewell-press-conference-july-12-2002\/\" title=\"Seiji Ozawa\u2019s Tanglewood farewell press conference, July 12, 2002\">Seiji Ozawa<\/a>, filmed with a Red Sox tapestry in the background, looking and sounding fairly good considering his condition. With a heartfelt tribute to his friend, the Maestro seemed to be asking forgiveness for being absent, leaving his legion of fans hopeful for his eventual return to Tanglewood.<\/p>\n<h2>75th Tanglewood anniversary season<\/h2>\n<p>Whereas the Boston Pops hasn&#8217;t missed a beat since Williams handed the baton to Lockhart in 1995, the Boston Symphony Orchestra hasn&#8217;t been so lucky in the wake of Ozawa&#8217;s 29 year tenure. For all you can tell from the audience, though, that may be purely an  administrative matter, because this <strong>75th Tanglewood anniversary season<\/strong> has been a beauty.<\/p>\n<p>The way this program progressed, patrons were guessing who&#8217;d appear the next time the video screen dropped. Some expected the <strong>Queen of England<\/strong> herself! Why not &#8211; given Williams&#8217; <em>Olympic Fanfare<\/em>, <strong>London 2012<\/strong>, and her own Jubilee&#8230;? After all, a member of her court, <strong>Sir Paul McCartney<\/strong>, made a video appearance at <a href=\"http:\/\/www.berkshirelinks.com\/review-of-james-taylor-and-his-band-of-legends-tanglewood-july-4-2008\/\">James Taylor&#8217;s 60th birthday party<\/a> at Tanglewood a couple summer&#8217;s ago. Nope, no Queen; but Bill Clinton did chime in, remember him?<\/p>\n<p>Of course <strong>James Taylor<\/strong> was on hand, to sing <em>You&#8217;ve Got a Friend<\/em>, in a duet with BSO cellist <strong>Owen Young<\/strong>, and to speak of his affection and gratitude for Williams, who invited Taylor to play his first gig with the Pops 20 years ago. Williams also introduced him to &#8220;the love of my life, Caroline.&#8221; <\/p>\n<p>Besides Ms. Norman&#8217;s rendition of <em>This Song is You<\/em>, a musical highpoint was the performance of Williams&#8217; composition for the <strong>Obama inauguration<\/strong>, <em>Air and Simple Gifts<\/em>, performed by <strong>Yo-Yo Ma<\/strong>, cello, <strong>Gil Shaham<\/strong>, violin, <strong>Gabriela Montero<\/strong>, piano, and <strong>Anthony McGill<\/strong>, clarinet. Another was <em>Three Concert Pieces<\/em> conducted by <strong>Shi-Yeon Sung<\/strong>, former BSO assistnt conductor, which was made up of one movement from each of 3 concerti by Williams: for Oboe, with <strong>Keisuke Wakao<\/strong> soloing, for Horn, with <strong>James Sommerville<\/strong> soloing, and for Tuba, with <strong>Mike Roylance<\/strong> soloing.<\/p>\n<p>Fitting tribute to the Wiliams&#8217;s genius in scoring movies came by way of <strong>Yo-Yo Ma<\/strong> and the Pops on <em>Going to School from Memoirs of a Geisha<\/em>; <strong>Gil Shaham<\/strong> and the Pops performing the <em>Theme for Schindler&#8217;s List<\/em>, and finally, the <em>Main title from Star Wars<\/em>, all conducted by Leonard Slatkin.<\/p>\n<p>The grand finale of John Williams&#8217; 80th Birthday Ceebration at Tanglewood was his own <em>Happy Birthday Variations<\/em>, with the Pops very ably augmented by the brass and woodwind players of the <strong>Tanglewood Music Center Orchestra<\/strong>. That piece is great fun, seemng to sample the most memorable and exciting motifs from the composer&#8217;s oeuvre. Then a loud POP and streamers and confetti rained on the audience, as they stood to applaud Mr. Williams, now onstage with his friends and colleagues, having the time of his life.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>John Williams&#8217; 80th birthday celebration at Tanglewood August 18, 2012 performance; Dave Read. Tanglewood rung up another glittering gala celebration, honoring the 80th birthday of Boston Pops Laureate Conductor John Williams with no less a musical luminary than soprano Jessye Norman serving as M.C. But to refer to John Williams as Boston Pops Laureate Conductor [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10461,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[18],"tags":[35],"class_list":["post-10438","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tanglewood-3","tag-2012-tanglewood-reviews","entry"],"_links":{"self":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/10438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/comments?post=10438"}],"version-history":[{"count":0,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/posts\/10438\/revisions"}],"wp:attachment":[{"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/media?parent=10438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/categories?post=10438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idealpoetry.com\/rwc\/wp-json\/wp\/v2\/tags?post=10438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}